Literary Studies

Writers on Writers: Ceridwen Dovey on J.M. Coetzee by by Ceridwen Dovey

by Felicity Plunkett •

November 2018, no. 406

Black Inc., $17.99 hb, 96 pp, 9781760640613

Literary Studies

Writers on Writers: Ceridwen Dovey on J.M. Coetzee by by Ceridwen Dovey

by Felicity Plunkett •

November 2018, no. 406

‘We think back through our mothers,’ writes Virginia Woolf (twice) in A Room of One’s Own. At first, she seems to be suggesting that women artists can only derive inspiration from women who precede them: ‘It is useless to go to the great men writers for help … the weight, the pace, the stride of a man’s mind are too unlike her own.’

But Woolf’s bravura rhetorical essay (she calls her writing ‘harliquinade’ for its ‘assortment of patches’) arrives at far more radical ideas about gender and the imagination than this essentialist position foreshadows. The artist’s mind, she argues later, is androgynous, with ‘no single state of being’, and can think back ‘through its mothers or through its fathers’.

Felicity Plunkett

Felicity Plunkett is a poet and critic. Her latest work, A Kinder Sea, is published by UQP. Her first collection of poetry Vanishing Point (UQP, 2009) won the Arts Queensland Thomas Shapcott Prize and was shortlisted for several other awards. She has a chapbook Seastrands (2011) in Vagabond Press’ Rare Objects series. Felicity was Poetry Editor for University of Queensland Press and edited Thirty Australian Poets (UQP, 2011). She has a PhD from the University of Sydney and her reviews and essays have been widely published in The Australian, Sydney Morning Herald, Australian Book Review, Sydney Review of Books etc. Her essay ‘Sound Bridge’, a portrait of Indigenous Australian musician Dr G. Yunupingu, was first published in Australian Book Review and anthologised in Best Australian Essays 2015 (Black Inc, ed. Geordie Williamson).