One should approach a new film with an open mind, but it’s very hard to do so when it has been preceded by the sort of hype that has accompanied The Great Gatsby. And it’s not just the hype but the other threats to the open mind which include the famous source novel (one that people know about even if they haven’t read it), the previous film versions, and the reputation of the new film’s director.
Brian McFarlane’s latest book is Four from the Forties: Arliss, Crabtree, Knowles and Huntington, Manchester: MUP, 2018. He has had three overlapping careers, as teacher, academic, and writer. He is the author or editor of over twenty books and hundreds of articles and reviews on film and literature and related matters. He co-edited The Oxford Companion to Australian Film and was compiler, editor and chief author of The Encyclopedia of British Film. His most recent books include: Twenty British Films: A guided tour and Double-Act: The remarkable lives and careers of Googie Withers and John McCallum. He is currently serving as Adjunct Professor at Swinburne University of Technology and as Adjunct Associate Professor at Monash University.
From the New Issue
Genius and Anxiety: How Jews changed the world, 1847–1947 by Norman LebrechtReviewed by Tali Lavi
What’s Wrong with Economics?: A primer for the perplexed by Robert SkidelskyReviewed by John Tang