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Morgan Nunan

Murray Middleton’s début novel, No Church in the Wild, opens beneath Flemington’s public housing towers in inner-city Melbourne. Residents of the towers flood the street to witness the police arrest a group of children ‘pinned on the concrete, knees digging into their spines’. One of these observers is Ali, a grade six primary school student. Ali recognises a Somali friend of his, Walid, as one of the boys under arrest. From Ali’s perspective, it is the latest provocation in a months-long campaign of police harassment against the local African migrant community. When things escalate and police direct the observers to leave, Ali responds: ‘Why should we? ... We live here.’ As the first of five parts, this opening scene is prologue to the action of the novel, which takes place five years later as Ali and Walid embark on their final years of schooling amid a community still suffering from problematic police interactions.

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Published in April 2024, no. 463

Morgan Nunan reviews ‘Paradise Estate’ by Max Easton

Morgan Nunan
Tuesday, 19 December 2023

Max Easton’s second novel begins in early 2022 when an ensemble of thirty-somethings loosely connected through mutual friends and subcultural scenes decide to lease a four-bedroom share house. The house in Sydney has its flaws. Mould colonies grow on ceilings and walls in a ‘rich spectrum’, aided by a series of La Niña weather events. Situated just off a main road and surrounded by high-rise apartment buildings, the property offers little in the way of privacy. The fascia gutters are blocked by champagne corks popped from the apartment balconies above.

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Morgan Nunan reviews 'Thaw' by Dennis Glover

Morgan Nunan
Monday, 24 July 2023

Dennis Glover’s third novel centres on the much-mythologised British Antarctic Expedition of 1910–13 that saw Captain Robert Falcon Scott attempt to reach the geographic South Pole for the first time in history. Scott and four companions arrived at the Pole too late (five weeks after Norwegian explorer Roald Amundsen) and would later succumb to the brutal conditions encountered on their return journey to Cape Evans. As Glover alludes to in the preface (and dramatises throughout the novel), details of the Scott expedition – possible causes of the tragedy, potential alternatives – as well as its historical, cultural, and/or scientific significance, have long been the subject of voluminous print and broadcast media (both popular and academic) and have fuelled often obsessive and granular debates. Thaw is both a contribution to, and comment on, this discourse.

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Published in August 2023, no. 456

Morgan Nunan reviews 'Shirley' by Ronnie Scott

Morgan Nunan
Tuesday, 28 March 2023

The unnamed narrator of Ronnie Scott’s second novel, Shirley, is a socially engaged thirty-something foodie from Melbourne’s inner north. She works as an internal copywriter for a health insurance company. She has an encyclopedic knowledge of the vegan-friendly bars and eateries within a five-kilometre radius of her small apartment in trendy Collingwood. She also cooks: scrambled tofu and vegan chorizo soup; Korean vegan pancakes and Cantonese soy sauce noodles; pan-fried gnocchi with blended basil and gochujang. She might wash these down with a glass of wine or whisky, or even a michelada, followed by the occasional menthol cigarette. She has been confined to her apartment alone for 262 cumulative days of lockdown (‘and the wild, long days that have fallen between them’), imposed by the Victorian government to curtail Covid-19. She also happens to be the daughter of a celebrity. 

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Published in April 2023, no. 452

Morgan Nunan reviews 'Bon and Lesley' by Shaun Prescott

Morgan Nunan
Thursday, 29 September 2022

In keeping with his successful début fiction, Shaun Prescott’s Bon and Lesley is set in a declining regional Australian town filled with oddball characters and plagued by otherworldly phenomena. The Town (2017) was published in seven countries and garnered apt comparison to, among others, Franz Kafka and László Krasznahorkai, as well as Australian writers Gerald Murnane and Wayne Macauley. Like these influences, Prescott’s work eludes definitive categorisation, though his second novel maintains distinctly ontological and surrealist emphases.

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Published in November 2022, no. 448

Morgan Nunan reviews 'Basin: A novel' by Scott McCulloch

Morgan Nunan
Thursday, 28 July 2022

On the surface, Scott McCulloch’s début novel, Basin, takes place in a brutal and degenerated landscape; the edge of a former empire in a state of violent flux. Rebels, separatists, terrorists, paramilitary groups, and the remnants of imperial forces clash over borders and interzones in the wake of the ‘Collapse’, an undefined geopolitical and ecological disaster. Print and broadcast media warn of inter-ethnic conflict and Rebel advances. Bazaars, brothels, and a chain of Poseidon Hotels all operate amid industrial waste and military checkpoints, servicing the region’s fishermen, soldiers, smugglers, and drifters. There is a multiplicity of language and religion (Abrahamic denominations mingle with archaic, pagan beliefs). Alcohol consumption and illicit drug use are rife. The climate is oppressively humid.

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Published in August 2022, no. 445

Jolley Prize 2019 (Shortlisted): 'Rubble Boy'

Morgan Nunan
Tuesday, 27 August 2019

1.

Growing up, my brother and I lived with Dad in a Housing Commission flat among a row of identical flats. Back in those days, we played Greatest Hits of the 70s through a subwoofer on the back deck. During the guitar solo in ‘Bohemian Rhapsody’ we howled over the music and the neighbourhood dogs followed our lead ...

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