David McCooey
La Trobe University Essay | 'Infidelity: "The Monkey’s Mask" in Poetry and Film' by David McCooey
Movies are often criticised for their lack of fidelity, for not keeping faith with their sources, especially novels, their audience, or their glorious antecedents. Infidelity is also a key plot device, especially of genre films: melodrama, comedy, crime, even the western. We keep going back to the movies partly because they don’t give us what we want. The New York poet Frank O’Hara suggests this in ‘An Image of Leda’, his breathless adaptation of the myth of Leda and the Swan as an allegory for watching films:
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The presence of the Irish ambassador and the muscatel was accounted for by the first theme of the week, which was that of W.B. Yeats and his influence. It is not surprising that a great many Celtic accents could be heard off stage as well as on. Indeed, the previous night saw a private dinner held by the W.B. Yeats Society of W.A. (one of only four Yeats societies in the world) whose only club rule seemed to be that some of Yeats’s poems should be read and suitably appreciated.
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