Calibre Prize
Hold your nerve
I have not told anyone that there is a small child growing in my bedside table drawer. The Ziplock bag containing E’s hair, a mass of tangled brown. A handful of baby teeth.
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The nuclear scale of the inferno that delivered our Black Summer will be remembered as a turning point in the debate about climate change. It was the summer when the monster of energy stored up in the earth’s oceans and atmosphere revealed itself in the most dangerous climate drivers; the summer when Australia could no longer take for granted the evolution of precious species and their habitats over millions of years, with more than a billion animals dead and more than ten million hectares of forest burnt. But it was also the season in which climate-denying politics was comprehensively trumped, no matter how much spin, media massaging, and misinformation was employed to make the fires, and their link to climate change, go away.
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Anthony Lawrence’s latest collection of poetry, Skinned by Light: Poems 1989–2002, a revision of his New and Selected (1998), is a much tighter work than its predecessor – 121 as against 335 pages. While some may wonder why UQP has published another ‘Selected’ from Lawrence in the space of four years, the publication of his novel, In the Half Light (2000), justifies introducing Lawrence’s poetry to a wider readership.
I was tempted to do a wicked thing when writing about Between the Fish and the Mud Cake: to take its subjects and describe my experiences with them. So I would tell you all about my lunch with Georges Perec at the French Embassy in Canberra. What he said, and I said, and the ambassador said, and what I made of it all. The book mentions touring with Carmel Bird; I could describe my friendship with her. But Andrew Riemer is not that sort of reviewer, and his book is much too interesting in itself to be one-upped like that.