Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

HarperCollins

In 1983, actor Noni Hazlehurst was invited to London by Robyn Archer to be part of Archer’s new cabaret Cut and Thrust. Hazlehurst, less than a decade out of acting school and having just been fêted in Cannes for her performance of Nora in the film adaptation of Helen Garner’s Monkey Grip (1982), was ‘thrilled to bits’.

... (read more)

It is easy to imagine book-buyers nodding with approval at the subtitle of this biography: ‘The making of a larrikin’. With ‘larrikin’ today applied to knockabout young men who are irreverent and mischievous but genuinely good-hearted, Bob Hawke seems a quintessential example. Yes, the myth goes, he used slipshod language now and then, and was quite a sight when he was in his cups, but generally Hawkie was a top bloke, a man who would call a spade a spade, a mate who could sup with princes and paupers but never forget who he was.

... (read more)

The Engraver’s Secret by Lisa Medved & Chloé by Katrina Kell

by
July 2024, no. 466

In E.L. Doctorow’s The Waterworks (his 1994 novel of post-civil war America), the narrator McIlvaine addresses the reader: ‘We did not conduct ourselves as if we were preparatory to your time. There is nothing quaint or colourful about us.’ Doctorow reminds the reader that our sense of modernity is an illusion. As Delia Falconer has eloquently noted apropos Doctorow’s novel, the contemporary historical novelist has a valuable role to play:

... (read more)

Sad Girl Novel by Pip Finkemeyer & Crushing by Genevieve Novak

by
June 2023, no. 454

Pip Finkemeyer’s Sad Girl Novel (Ultimo, $34.99 pb, 304 pp) is likely to divide readers, based on its title alone. For this reader, the immediate response was cynicism: another début about a young woman adrift and feeling sorry for herself? While unhappy women have populated art – and created it – for centuries, in 2023 the ‘sad girl’ is an aesthetic shorthand that conjures images of Ultraviolence-era Lana Del Rey, pale Tumblr girls with dripping makeup, Daisy Edgar-Jones in Normal People. Female pain, flattened into a marketable package.

... (read more)

This book has one of the most off-putting jackets of recent memory. Elizabeth Jane Howard, glass in hand, is gazing attentively at her celebrated novelist husband Kingsley Amis, who is beaming with self-congratulatory pleasure at someone out of shot. Howard, no mean writer herself, seems to be performing the good wife’s duty of smiling at a joke she has heard at least ten times. It is a photo that invites the reader to buckle up for five essays about the wives of prominent writers who gave up their own ambitions for the greater good of being ‘handmaidens to genius’. 

... (read more)

More than thirty years after the last helicopters left the roof of the American embassy in Saigon, the flow of new books on the Vietnam war shows no sign of abating. Among them are some intended for a limited, scholarly market, some for a wider general readership; some for Americans, some for Australians. These three books exemplify some of the trends in both the substance and the style of Vietnam war histories, and illustrate both the virtues and the faults of differing approaches to the most controversial conflict of the twentieth century.

... (read more)

Early in their new book, Victory, Peter van Onselen and Wayne Errington pose a simple question that has haunted Labor since 2019: why couldn’t they beat the other mob? After all, their foe was an ‘incoherent’ and ‘second-rate’ government that had accelerated graft, cynicism, and factional cannibalism, and that had produced, in the end, a long list of tawdry failures. The Coalition seemed entropic.

... (read more)

One of the puzzles of Australia’s diplomatic service is the comparative lack of informative memoirs by senior diplomats. Of the sixteen heads of Foreign Affairs mentioned in this book, only three apart from Richard Woolcott – Alan Watt, Alan Renouf, and Peter Henderson – have written memoirs (although John Burton wrote much about international conflict management, and Stuart Harris – more an academic than a public servant – has written about many international issues, especially economic ones). Some senior figures have contributed columns and articles, but many other senior and respected ambassadors have written nothing. Perhaps this is one reason for the lack of a profound appreciation of international affairs in Australia, which Woolcott so deplores. This book, however, is a substantial contribution to the literature, situated firmly in the realist tradition, and is probably the best memoir to date from a former Australian diplomat.

... (read more)

Is it tautological to describe a work of fiction as ‘family Gothic’? After all, there’s nothing more inherently Gothic than the family politic: a hierarchical structure ruled by a patriarch, as intolerant of transgression as it is fascinated by it, sustaining itself through a clear us/them divide, all the while proclaiming, ‘The blood is the life.’ Yet three new Australian novels Gothicise the family politic by exaggerating, each to the point of melodrama, just how dangerous a family can become when its constituents turn against one another.

... (read more)

On Thomas Keneally by Stan Grant & With the Falling of the Dusk by Stan Grant

by
June 2021, no. 432

Let’s start with a portrait. The year is 1993. The book is My Kind of People. Its author is Wayne Coolwell, a journalist. Who are Coolwell’s kind of people? Ernie Dingo, for one. Sandra Eades. Noel Pearson. Archie Roach. And there, sandwiched between opera singer Maroochy Barambah and dancer Linda Bonson is Stan Grant, aged thirty. Circa 1993, Grant is a breakthrough television presenter and journalist whose mother remembers him coming home to read the newspaper while the other kids went to play footy. ‘[T]here was a maturity and a sense of order about him,’ Coolwell writes. The order belies his parents’ life of ‘tin humpies, dirt floors, and usually only the one bed for all the kids in the family’.

... (read more)