Pennsylvania Avenue is billed by the Melbourne Theatre Company as a world première, with the expectation that singer Bernadette Robinson’s new one-woman show will travel the world, like her previous one, Songs for Nobodies (MTC, 2010). In that show, Robinson inhabited several ‘nobodies’ and the famous singers they encounter. When, in November 2012, I interviewed Robinson in the run-up to th ... (read more)
Carol Middleton
Carol Middleton is a journalist, arts critic and author, based in Melbourne. Her short story awards include second place in The Age competition 2010. Her fiction and nonfiction have been published in the anthologies Melbourne Subjective, Ink3 and Vine Leaves Literary Journal. She is working on a memoir in essays.
Inga Simpson’s second novel is set in the lush subtropical hinterland of Australia’s east coast. Jen, a reclusive artist, goes back to where she grew up and where her father was a timber-cutter, to find peace among the birds and trees. But mysteries and disappearances trouble her idyllic life.
Like her artist protagonist, Simpson has acute powers of observation and an ability to capture natur ... (read more)
Silvia Kwon’s début novel explores the legacy of war on an Australian family, seen mainly through the eyes of the wife of a returned soldier. The prologue comprises a vivid and disturbing flashback to Burma in 1944, where Merna’s husband Frank spent time ‘on the line’.
Although narrated in the third person, this is Merna’s story, told from the point of view of a wife torn between the c ... (read more)
This début novel by Melbourne writer Suzanne McCourt is a coming-of-age story set in the wild coastal landscape of the Coorong in the 1950s. Writing from the point of view of a child, McCourt captures the heightened sensibility of her narrator, Sylvie, to portray a family in devastating close-up and a natural world teeming with smells and sounds and sights.
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Floodline is the fifth novel by Kathryn Heyman, course director at Allen & Unwin’s Faber Academy. Set in an unspecified area of the United States, it follows a proselytising family, which is on a mission to save the godless inhabitants of Horneville on the eve of their annual gay mardi gras, Hornefest, when the city is devastated by floods.
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Yvette Walker’s remarkable début novel is told in a series of letters that cross time and continents, tracing the intimate lives of three couples, one straight, one lesbian, one gay. Starting in 1969 in an artist’s studio in Cork, where a Russian painter and his Irish novelist wife exchange love letters, it moves to 2011 and a lesbian bookseller in Western Australia and her estranged girlfrie ... (read more)
With her fifth novel, Maurilia Meehan has carved out a subversive niche of chick-lit mystery. Touted as the first of a trilogy, Madame Bovary’s Haberdashery is an amusing romp for the thinking woman, with references to Flaubert, Milan Kundera, and Agatha Christie. The decidedly feminist viewpoint is tempered by a mordant use of irony and satire.
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This début novel by Sydney playwright Jennifer Paynter is a skilful retelling of Pride and Prejudice, narrated by Mary Bennet, the forgotten middle sister. Mary’s character is true to Austen’s original conception. She is bookish, plain, and unloved, although romance soon appears on the horizon in this version of events.
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This is the modest memoir of a remarkable man. At the age of eighty, geologist Tony Taylor travels from Sydney to Vancouver Island to meet his eight-year-old grandson Ned and take him fishing on the Cowichan River. Half a lifetime earlier, in 1968, Taylor had spent a formative two years in that wilderness. He is eager now to give his grandson the same education.
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Currawalli Street is Christopher Morgan’s second novel for adults. Set in a suburb north of Melbourne, the novel is divided into two parts. It follows the lives of the street’s residents on the brink of World War I, then skips to 1972, when one of the grandsons of the original residents returns from the Vietnam War.
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