December 2015, issue no. 377

Peter Kenneally reviews 'The Law of Poetry' by MTC Cronin, 'The Ladder' by Simon West, 'Jam Sticky Vision' by Luke Beesley, 'Immune Systems' by Andy Jackson, and 'The Hour of Silvered Mullet' by Jean Kent

Peter Kenneally

With her first book, Zoetrope, in 1995, MTC Cronin announced herself as a very particular force in Australian poetry. It was not just that her début was so much more immediately arresting than most poets' first outings, but also that it had real authority. This authority, coming from force of intellect and a kind of absolutist, almost inscribed imagination ... More

A.J. Carruthers reviews 'Net Needle' by Robert Adamson

A.J. Carruthers

Australian poetry has always been influenced by international literary trends, especially avant-garde or experimental ones, from the French Symbolists to US 'Language Writing' from around 1970 to the present. A curious aspect of this has been a kind of hybrid poet who can straddle both 'experimental' and 'romantic' traditions. Given the increased popularity of exper ... More

Andrew Fuhrmann reviews 'Young Eliot' by Robert Crawford

Andrew Fuhrmann

This long-anticipated first volume of Robert Crawford's biography of T.S. Eliot, the first with permission from the Eliot estate to quote the poet's correspondence and unpublished work, highlights the Young Eliot as – not least in the achievement of his poetry – always an Old Eliot. And yet the picture of Eliot as a child and adolescent is detailed. In Young ... More

Judith Beveridge reviews 'Happiness' by Martin Harrison

Judith Beveridge

'Happiness' may seem like an odd word for the title of a book of poetry, and given the circumstances of Martin Harrison's final years – his illness, the tragic death of his younger Tunisian lover, Nizar Bouheni – the title is rather ironic, but the poems in this posthumous volume are rich, bountiful, full of the same 'worshipful attention', the same sense of ope ... More

Geoff Page reviews 'Babel Fish' by Jillian Pattinson

Geoff Page

Halfway through her first full-length collection, Babel Fish, Jillian Pattinson quotes Borges's famous argument: 'Myth is at the beginning of literature, and also at its end.' Her whole book does its best to embody this idea.

As its title 'Waterline' implies, the first group of poems here is loosely unified by water references, from the semi-scienti ... More

Fiona Hile reviews 'Rhinestone' by Ella O'Keefe, 'Metadata' by Amelia Dale, 'end motion/manifest' by Sian Vate, and 'Office of Locutions' by Kate Middleton

Fiona Hile

All writers need good bookshelves, but the poet, perhaps more than any other writer, is charged with the involuntary dispensation and relentless accumulation of reading material. This is partly due to the proclivities of the producers and partly due to the characteristics of the form itself. As the notable cultural critic Pierre Bourdieu remarked, poetry's effects d ... More

David Wells reviews 'The Penguin Book of Russian Poetry' edited by Robert Chandler, Boris Dralyuk, and Irina Mashinski

David Wells

Translation is all about choice: which authors will be attractive to the target audience? Which texts by those authors will be of interest? Which aspects of those texts should be emphasised? How can ambiguities in the original be preserved or resolved? What relative weight should be given to formal and semantic elements? Historically, the translation of Russian lite ... More

Cassandra Atherton reviews 'The Hazards' by Sarah Holland-Batt, 'Conversations I've Never Had' by Caitlin Maling, 'Here Be Dragons' by Dennis Greene, and 'The Guardians' by Lucy Dougan

Cassandra Atherton

Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ... More

Geoff Page reviews 'Wild Track' by Kevin Hart

Geoff Page

Kevin Hart was born in London in 1954, grew up in Brisbane, and worked in Melbourne before moving to the United States, where he still teaches (currently at the University of Virginia). Although he has won extravagant praise from Americans such as Charles Simić and Harold Bloom, he remains, to Australian readers, ... More

Peter Kenneally reviews 'Crankhandle' by Alan Loney, 'Stone Grown Cold' by Ross Gibson, 'Aurelia' by John Hawke, and 'Dirty Words' by Natalie Harkin

Peter Kenneally

Poetry books as artefacts in their own right, regardless of commercial viability or relevance to the click-bait Zeitgeist, are currently showing sturdy signs of life, so it is a welcome development to have the online Cordite Review sensibility fixed in print, in a palpable way and on a graspable scale. Th ... More

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