Jay Daniel Thompson

Dennis Altman’s new novel, Death in the Sauna, begins with, yes, a death in a sauna. The respected virologist Pomfrey Lister is found lifeless in a London gay venue, days before a major AIDS conference that he is chairing. His naked corpse is transported home and a death certificatepronouncing natural causes is produced. This hasty denouement is ostensibly aimed at concealing the salacious nature of Lister’s demise, which might overshadow both the conference and his legacy.

Where I Slept opens with an ending. The nameless narrator, a twenty-something woman, is leaving her rural hometown and the boarding house where she lived, for new adventures in the big smoke – but not before daubing ‘sentimentality is the enemy of truth’ on the front gate of her soon-to-be former university. That proverb proves prophetic as the narrator establishes a new life in Melbourne’s inner city. This is the 1990s, just before gentrification had gained ascendance, when the area still had a ‘bohemian’ feel. The narrator drifts through sharehouses where rent goes unpaid and housemates are replaced frequently. She frequents seedy bars where strangers shout her drinks, and exhibitions where free booze flows.

The first thing readers will notice about Son of Sin is the snake coiled across the front cover, its inky scales contrasting with the hot pink background, at once disquieting and strangely beautiful. This striking image sets the tone for the rest of the novel, which is the prose début for Sydney poet and social commentator Omar Sakr. The text provides a disarmingly frank perspective on sexuality, race, and shame in contemporary Australia.

The Tribute begins with a corpse. And not just any corpse. This body is discovered in a Sydney terrace house with its organs removed. One detective describes the crime as ‘butchery’, and that’s an understatement. This murder is the work of Stephen Porter, a deceptively bland chap who uses his bank job to secure the schedules and addresses of victims. These victims are then dissected as ‘tributes’ to the Fabrica, a collection of sixteenth-century anatomy books.

The title character of Laura Elizabeth Woollett’s second novel, The Newcomer, is Paulina Novak, who has arrived on Fairfolk Island after leaving a finance career in Sydney. If she is wanting to make a new start, then she’s mistaken; Paulina’s life seems perpetually sullied by alcoholism, an eating disorder, and a tendency to fall for callous men. Acquaintances say that her head is ‘messy’. Paulina herself remarks: ‘My whole life’s a fuck-up.’

Kathy Mexted was a teenager when the possibility of becoming a pilot entered her head. The year was 1978, and she was airborne in a plane commanded by her father. The latter turned to his daughter and remarked: ‘If you’d like to learn to fly, I’ll pay for it.’ Nonetheless, it would take twelve years for the author to seriously pursue her piloting ambitions. This delay was due to several factors, not least of which was that flying has long been a ‘male dominated industry’.

Geoff Goodfellow is best known as a poet. Out of Copley Street, his first non-verse publication, chronicles his working-class coming of age in Adelaide’s inner-northern suburbs during the 1950s and 1960s.

Connor is a thirty-something Australian who bides his time grifting in India. His targets are Western female tourists, whom he describes as ‘talent’, and whom he seduces and fleeces. Connor seems to be escaping something, most likely the upbringing in which his masculinity and personal safety were constantly called into question.

Cub lives next door to the yellow house. The girl also lives in the shadow of her grandfather, Les, who once owned that property, and who died years ago, after doing ‘ugly things’ to women. Indeed, Les’s crimes seem to cast a pall over Cub’s entire family. This is a family where warmth ...

Bani Adam wants to be a ‘chivalrous poet’ or a great writer. These aspirations make the Lebanese-Australian teenager feel like an outsider at the testosterone-fuelled, anti-intellectual high school that he attends. Until he finishes school, Bani bides his time with a group of mostly Muslim and Lebanese young men. ‘The Lebs’ ...