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Fiction

Jack Callil reviews Hare's Fur by Trevor Shearston

Jack Callil
Monday, 25 February 2019

Hare’s Fur is about what follows grief. Russell Bass, a seventy-two-year-old potter, lives alone in Katoomba. Adele and Michael, his wife and child, have both died. Time still passes. He wakes early, drinks coffee, visits friends, throws clay ...

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Published in March 2019, no. 409

David Whish-Wilson reviews three new crime novels

David Whish-Wilson
Monday, 25 February 2019

Last year in New York, I visited the Mysterious Bookshop, Manhattan’s only bookstore specialising in crime fiction. The otherwise knowledgeable bookseller had heard of three Australian crime novelists: Peter Temple, Garry Disher, and Jane Harper ...

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Published in March 2019, no. 409

David Haworth reviews Zebra & other Stories by Debra Adelaide

David Haworth
Monday, 25 February 2019

As the United States tears itself to pieces over a proposed wall, which has in recent months transmogrified into a steel fence, here in Australia we have no right to be smug or to rubberneck. After all, Australia loves its fences. Since it was first occupied as a penal colony, this land has been bisected by a seemingly endless ...

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Published in March 2019, no. 409

'If you think you know what this collection will be like, you’re wrong,’ Carmen Maria Machado (author of the brilliant Her Body and Other Parties, 2017) states on the back cover of Kristen Roupenian’s provocatively titled début, You Know You Want This. It is an unusual description of a short story collection from an emerging author, but Roupenian is not your average débutante ...

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Published in March 2019, no. 409

Kerryn Goldsworthy reviews The Year of The Beast by Steven Carroll

Kerryn Goldsworthy
Friday, 22 February 2019

In his 2017 essay ‘Notes for a Novel’, illuminatingly added as a kind of afterword at the end of this book, Steven Carroll recalls a dream that he had twenty years ago. It was this dream, he says, that grew into a series of novels centred on the Melbourne suburb of Glenroy, a series of which this novel is the sixth and last. It was ...

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Published in March 2019, no. 409

James Ley reviews Exploded View by Carrie Tiffany

James Ley
Friday, 22 February 2019

The term ‘exploded view’ refers to an image in a technical manual that shows all the individual parts of a machine, separates them out, but arranges them on the page so that you can see how they fit together. As the title of Carrie Tiffany’s new novel, it can be interpreted as a definitive metaphor and perhaps, in a somewhat looser sense, an analogy for her evocative technique ...

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Published in March 2019, no. 409

Chris Murray reviews Fusion by Kate Richards

Chris Murray
Friday, 25 January 2019

Fusion is the fiction début from the author of the acclaimed Madness: A memoir (2013). It draws on Australian gothic and older gothic traditions. With the meditative possibilities of walking alpine ranges, it also portrays claustrophobia and compulsion. Its drama centres on a small and wounded cast ...

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Published in March 2019, no. 409

Francesca Sasnaitis reviews Lucida Intervalla by John Kinsella

Francesca Sasnaitis
Thursday, 17 January 2019

According to the online resource Climate Action Tracker, Australia’s emissions from fossil fuels and industry continue to rise and are heading for an increase of nine per cent above 2005 levels by 2030, rather than the fifteen to seventeen per cent decrease in ...

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Published in March 2019, no. 409

Danielle Clode reviews 'Tales from the Inner City' by Shaun Tan

Danielle Clode
Monday, 31 December 2018

It is hard to think of a more distinctive and idiosyncratic author than Western Australian Shaun Tan. Winner of the prestigious Astrid Lindgren Memorial Award for children’s literature, Tan’s work has also been recognised by numerous awards in speculative fiction, illustration, and children’s book ...

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Tali Lavi reviews 'Insomnia' by Marina Benjamin

Tali Lavi
Tuesday, 18 December 2018

The morning I begin to read Insomnia, a darkly thrilling beauty of a book, the sky turns a duckblue albumen. Domestic hush and personal restlessness coexist. This tension of dualities recurs within Marina Benjamin’s philosophical and poetic reckoning with the state of insomnia ...

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