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Allee Richards

One of the hardest challenges for a novelist is to write a story for adults from the point of view of a child. In 1847, Charlotte Brontë set the bar high with Jane Eyre, the first novel to achieve this. The story ends when Jane is a woman but commences with the child Jane’s perspective. So effective for readers was Brontë’s ground-breaking feat that Charles Dickens decided to write Great Expectations in the voice of the child Pip, after just hearing about Jane Eyre, even before reading it. But the risks are great: creating a child narrator who knows, tells, or understands far too much for their age; dumbing down the story to fit with the character’s youth; striking the wrong notes by making the voice too childish or not childlike enough. It’s a minefield, and any novelist, especially a debutant, who pulls it off deserves praise. Thus Harper Lee, who never had to produce another book to maintain her legendary status.

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Published in November 2021, no. 437

One of the hardest challenges for a novelist is to write a story for adults from the point of view of a child. In 1847, Charlotte Brontë set the bar high with Jane Eyre, the first novel to achieve this. The story ends when Jane is a woman but commences with the child Jane’s perspective. So effective for readers was Brontë’s ground-breaking feat that Charles Dickens decided to write Great Expectations in the voice of the child Pip, after just hearing about Jane Eyre, even before reading it.

... (read more)
Published in November 2021, no. 437

'What This Is', a new story by Allee Richards

Allee Richards
Tuesday, 06 March 2018

You are meeting with your PhD supervisor. You’re in his office – there’s a desk, books, framed degrees, and a wife, also framed. And there’s you and your supervisor seated on opposite sides of his desk. You’ve just completed the first confirmation for your PhD. Confirmation had once made you think of young girls in white tulle dresses, of people who have faith. At university, confirmation is when the school deems whether or not your research is viable to continue. It may not be if your theory isn’t new enough, or your proposal is too ambitious or it’s half-cooked, or maybe you’ve not been working hard enough, or maybe you’re a stupid girl. There are a number of reasons why the university may not have faith in you.

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Published in ABR Fiction