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Fiction

Mouthful of Birds: Stories by Samanta Schweblin, translated by Megan McDowell

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August 2019, no. 413

Despite seven years of expatriate life in Germany, the Argentine Samanta Schweblin’s writerly gaze, like that of Australia’s Peter Carey or Janette Turner Hospital, remains trained upon her homeland: ‘I write from outside, literally and in a literary sense. But always looking toward Argentina.’ Schweblin acknowledges a debt to the fantastic ...

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What distinguishes man from machines? What is artificial life, death, progress? These are just some of the questions Jeanette Winterson explores in her brilliant new novel, Frankissstein, a modern take on Mary Shelley’s masterpiece, Frankenstein. Two warnings: first, the structure is complex, as the narrative segues ...

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From the ill-fated explorations of Leichhardt and Burke and Wills through to the Beaumont children, Azaria Chamberlain, and the backpacker murders in New South Wales, the history of Australia is peppered with tales and images of people going missing. And, as the First Peoples might well have been able to warn us, few of those stories turn out well ...

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Homeland by Fernando Aramburu, translated by Alfred MacAdam

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June–July 2019, no. 412

ETA, a terrorist group formed in the late 1950s, was predominantly active in the Basque Country. Its name is an acronym in Basque for ‘Euskadi Ta Askatasuna’, which means ‘Basque Country and Freedom’. Fernando Aramburu’s Homeland is not the first novel to deal with the decades of ETA’s terror ...

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I didn’t write this review. I stole it. Or so a review that echoes the framing conceit of Alex Landragin’s elegant and unusual début might begin. This richly allusive, speculative historical novel opens with a preface from the book’s self-described ‘adopted parent’, the fictionalised ‘Alex Landragin’. Following the sudden death of ...

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In 1961 the great Australian poet Judith Wright published an influential essay called ‘The Upside-down Hut’ that would puzzle contemporary readers. The basis of its argument was that Australia felt shame about its convict origins, and that we needed to move on. And we have: since 1961 the representation of the convict era in fiction and on screen has ...

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Eight Lives is a meticulously crafted first novel by Susan Hurley, a 2017 Peter Carey Short Story Award nominee and a medical researcher with more than thirty years’ experience in the pharmaceutical industry. It’s an intricate thriller told in a multiple first-person style by friends, family, and associates of the late Dr David Tran, all of whom feel some responsibility for his horrific death ... ... (read more)
Mainstream science fiction is a genre that thrives on quantity as much as quality. Such narratives pose the deepest questions; as Douglas Adams once famously put it, these are stories about Life, the Universe, and Everything. Why publish stand-alone space operas when storylines, character arcs, worlds, and revenues can be elaborated across trilogies? ... (read more)
In the May 2019 issue of Quadrant, its literary editor, Barry Spurr, inveighed against the ‘inane expansion of creative writing courses’. Professor Spurr’s scholarly accomplishments in the study of poetry and Australian fiction do not include creative writing. (His resignation from the University of Sydney was accepted in December 2014 ... ... (read more)
Uncertainty is the new norm. Nationalist rhetoric is rife. Donald Trump is running for the US presidency. It’s June 2016 and the Brexit referendum has dazed the international community, heralding the start of the United Kingdom’s glacial extraction from the European Union. Amid the turmoil, Irish novelist Ali Smith releases Autumn ... ... (read more)