Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Australian Documentary: History, Practices, Genres by Trish FitzSimons, Pat Laughren, and Dugald Williamson

by
May 2011, no. 331

Australian Documentary: History, Practices, Genres by Trish FitzSimons, Pat Laughren, and Dugald Williamson

Cambridge University Press, $59.95 pb, 304 pp, 9780521167994

Australian Documentary: History, Practices, Genres by Trish FitzSimons, Pat Laughren, and Dugald Williamson

by
May 2011, no. 331

The concept of ‘documentary’ is a slippery customer. It may start with John Grierson’s ‘creative treatment of actuality’, but, like holding water in your hand, it bleeds across media from film into television and digital media, and across modes in one direction into news reporting and in the other into docudrama. Documentary’s privileged relation to the real world, in opposition to fiction, raises another conceptual problem: that of who is speaking, and by what right. The technological media at issue here are always multi-vocal, no matter how determined a claim a director may make to authorship. But, in the documentary field, human subjects can also make claims to speak for themselves, and in a digital world even the audience has some opportunity to provide one aspect of the documentary voice.

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.