Bernadette Brennan

To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wyndham, James Ley, Geordie Williamson, Jane Sullivan, Tom Griffiths, Mark Edele, and Brenda Niall.

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Sarah Sentilles’s Draw Your Weapons is one of the most erudite, original, and thought-provoking books I have ever read. A philosophical and moral meditation on pain, torture, and the violence of war – part memoir, part history, even a kind of secular prayer – this book asks us to look at terrible human darkness while also celebrating the ways in which love, connectedness, and the making of art nourish and redeem the human spirit.

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The epigraph to the first chapter of Eva Hornung’s The Last Garden speaks of Nebelung, a time of great prosperity, joy, and hope for new life. Over the page, Hornung shatters any sense of well-being with an extraordinary opening sentence: ‘On a mild Nebelung’s afternoon, Matthias Orion, having lived as an exclamation mark in the Wahrheit settlement an ...

Who is the I in Helen Garner’s work? This is the question Bernadette Brennan probes by canvassing more than forty years of Garner’s writing and her seventy-four-year existence ...

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In 2004 Kim Scott delivered the prestigious Herbert Blaiklock Memorial Lecture to a predominantly academic audience at the University of Sydney. Provocatively, he began ...

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It is gratifying to witness the renewal of interest in Elizabeth Harrower's fiction. Last year, ...

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Twenty-five years ago, Drusilla Modjeska's Poppy reimagined boldly the possibilities for Australian memoir. Modjeska recounts in her new memoir, Second Half First, how in her inaugural appearance at a writers' festival she was on a panel discussing autobiography with two established British writers, Victoria Glendinning and Andrew Motion. Poppy ...

Early success is no guarantee of a book’s continued availability or circulation. Some major and/or once-fashionable authors recede from public consciousness, and in some cases go out of print. We invited some writers and critics to identity novelists who they feel should be better known.

Kate Grenville’s mother, Nance Gee (née Russell), was an extraordinarily resourceful, resilient, and interesting woman. Born in 1912 to ill-matched, working-class parents and surviving a childhood lacking in stability and opportunity, she went on to become an inspirational mother, businesswoman, and teacher. Some years after her death in 2002, Grenville began sor ...

‘For our house is our corner of our world … If we look at it intimately, the humblest dwelling has beauty.’
Gaston Bachelard, The Poetics of Space (1958)

Houses, and their domestic spaces of intimacy and negotiation, s ...

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