Divorce Dilemma is a book for those contemplating divorce, but it should be compulsory reading for those contemplating marriage! Warwick Hartin brings a wealth of research and practical experience to this clear and searching analysis of divorce and marriage in our society. He courageously examines the sacrosanct institution of marriage, our reasons for marrying, the divorce rate and the effect of divorce on children.... (read more)
Joan Didion. Not sure what happened, to her or to me, but she lost me about twenty years ago.... (read more)
This book is about a twelve-year-old boy called Ort Flack, into whose life, at a moment of drastic need, bursts none other than God, in the form of a silvery white cloud. The cloud has been there all along, hanging over the house, a personal vision of Ort’s, as mysterious and troubling and comforting to ...... (read more)
Following True Stories, published in 1996, The Feel of Steel is Helen Garner’s second collection of non-fiction. It comprises thirty-one pieces of varying lengths. Longer narratives such as ‘Regions of Thick-Ribbed Ice’, about a hair-raising trip to Antarctica, and ‘A Spy in the House of Excrement’, about the outcome ...... (read more)
Who is the I in Helen Garner’s work? This is the question Bernadette Brennan probes by canvassing more than forty years of Garner’s writing and her seventy-four-year existence ...... (read more)
You could regard this latest book by Helen Garner as simply a collection of various essays, a miscellany if you wish, but to do so would be to give it less than its due. There is nothing casual or accidental about Everywhere I Look. Its coherence may, of course, have much to do with Garner's voice, which is consistent and compelling, as is her actual writin ...
Helen Garner (1942–) is an Australian novelist and non-fiction writer. Garner’s first novel, Monkey Grip, was published in 1977 and was adapted for film in 1981. Since then she has written many works of fiction, including The Children’s Bach (1984), Cosmo Cosmolino (1992), and The Spare Room (2008), as well as non-fiction, including ...
Already, Anu Singh’s story is grimly familiar. Now free again, just thirty-one, she has entered the popular pantheon of malefactors. Her attractive face appears in the newspapers, taut with self-justification. There is talk of a documentary. Notoriety, even a kind of celebrity – that amoral nirvana – is hers.
If Singh’s deepest motivation f ...