Eighth – ABR Ian Potter Foundation Fellowship
The second ABR Ian Potter Foundation Fellowship was for a substantial article on any aspect of the performing arts. Andrew Fuhrmann was appointed in May 2013 and his article 'Patrick White: A theatre of his own' was published in our November 2013 issue. In it Fuhrmann examined the plays of Patrick White and his influence on contemporary theatre.
Seventh – ABR George Hicks Foundation Fellowship
The ABR George Hicks Foundation Fellowship was for a substantial article with a focus on the visual arts. Helen Ennis was the seventh fellow and her article ('Olive Cotton at Spring Forest') was the main feature of the 2013 July-August Art issue. In her article Ennis offers a fascinating reading of the great modernist photographer's second marriage and gradual re-emergence as a photographer in the latter decades of her life.
Sixth – ABR Ian Potter Foundation Fellowship
The ABR Ian Potter Foundation Fellowship was for a substantial article with a literary studies focus. Kerryn Goldsworthy was the sixth Fellow. Goldsworthy is a former Editor of ABR and one of Australia’s most prolific and respected critics. In her article, titled ‘Everyone’s a Critic’, Goldsworthy examines the current state of book reviewing in Australia, online and off. ABR published the article in May 2013.
Fifth – ABR Patrons’ Fellowship
The fifth ABR Patrons’ Fellowship was for a substantial article with a film, media, or TV focus. Ruth Starke was the fifth Fellow. Starke’s project, titled ‘Media Don’, focuses on the resilient and charismatic South Australian politician Don Dunstan, a long-serving premier who skilfully used the media to fashion his persona and perpetuate his influence, but who in the end was brought down by it. Starke, who used the extensive resources of the Don Dunstan Collection held by the Flinders University Library Special Collections, also sheds light on the private man. Her article is published in the March 2013 issue of ABR.
Fourth – ABR Copyright Agency Fellowship
The ABR Copyright Agency Fellowship was part of ABR’s Asian project, with the generous support of Copyright Agency through its Cultural Fund. Jennifer Lindsay was the fourth Fellow. Lindsay wrote a profile of the Indonesian writer Goenawan Mohamad – activist, journalist, editor, essayist, poet, commentator, theatre director, and playwright – whose essays she has been translating for two decades. The profile, in the September 2012 issue of ABR, focuses on the man and his work, but provides an understanding of the context in which Goenawan Mohamad writes and of the complexities of Indonesia. Lindsay received $5000.
Third – ABR Sidney Myer Fund Fellowship
This ABR Sidney Myer Fund Fellowship was for a substantial article with an Indigenous focus. Felicity Plunkett was the third Fellow. Her project was titled ‘Sound Bridge: The Musical Languages of Geoffrey Gurrumul Yunupingu’, a profile of this charmismatic artist and exploration of the music of Gurrumul and its reception. Her article is forthcoming.
Plunkett is a freelance writer, critic, and lecturer. She has a BA (Hons) and PhD (Sydney) in Literature. She is the current Poetry Editor of the University of Queensland Press, which recently published her anthology, Thirty Australian Poets. She has taught in several Australian universities and has often written for ABR.
Second – ABR Sidney Myer Fund Fellowship
This ABR Sidney Myer Fund Fellowship was for a substantial article with a literary studies focus. Rachel Buchanan was the second Fellow. She is a lecturer in Journalism at La Trobe University, Melbourne, holds a Phd in History from Monash University, and has worked as a journalist for The Age. She is the author of The Parihaka Album: Lest We Forget (2009).
Rachel's long article on archival uses of private papers appears in the December 2011– January 2012 issue of the magazine. In ‘Sweeping up the Ashes’, she investigates the politics and purposes of collecting personal papers at a time when writers, collectors, and institutions are caught between the mystique and permanence of material made by hand and the banality and fragility of machine-made works.
First – ABR Patrons’ Fellowship
The first ABR Patrons’ Fellowship was for a substantial article with a literary studies focus. Patrick Allington was the inaugural Fellow. Allington’s project was a critique of the Miles Franklin (‘What is Australia Anyway?: The Glorious Limitations of the Miles Franklin Literary Award’). In an article in the June 2011 issue of ABR, he reflects on the Award’s history, strengths, quirks, and past controversies, and fascinatingly, elicits comments from some of the major authors whose works have been excluded from consideration because they don’t ‘present Australian Life in any of its phases’.