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ABR Arts

Book of the Week

Thunderhead
Fiction

Thunderhead by Miranda Darling

A feminist triumph and homage to Virginia Woolf, Miranda Darling’s Thunderhead is a potent exploration of suburban entrapment for women. The novella opens with a complex satire of Ian McEwan’s response to Woolf’s Mrs Dalloway (1925) in his novel Saturday (2005). All three books are set over the course of a single day, where the intricacies of both the quotidian and extraordinary occur. In this novella’s opening paragraphs, Darling’s protagonist, Winona Dalloway, wakes to see the sky ablaze through her window. While ‘it is dawn in the suburbs of the east’ – rather than a burning plane, evoking 9/11 terrorism, as in McEwan’s novel – she believes it ‘telegraphs a warning, red sky in the morning’. This refers to the opening of Mrs Dalloway, where Clarissa Dalloway feels, ‘standing there at the open window, that something awful was about to happen’.

Interview

Interview

Interview

From the Archive

July 1984, no. 62

The Ivanov Trail by David Marr

I sometimes wonder whether David Combe’s detractors have ever read the legend of his sins – the transcript (even as officially bowdlerised) – of his conversation with Ivanov on 4 March 1983. It is upon the fact of this event (but certainly not upon the record of its substance) that Combe is widely charged, not with treachery, but with greed, intolerable ambition, and amazing indiscretion.

From the Archive

May 1982, no. 40

Her Unknown (Brilliant) Career: Miles Franklin in America by Verna Coleman

Verna Coleman’s biography of Miles Franklin is extremely valuable but somewhat flawed. Those parts of Franklin’s life that are germane to the mateship tradition and the development of a nationalist Australian literature have been widely canvassed – although they take in only her precocious youth and mellow old age. The crucial decades between 1906 and 1927 are an almost total blank, even though they include the writing of her most important journalism and all but one of the novels on which her reputation rests. (Marjorie Barnard scarcely even tried to fill that blank with her 1967 biography.) Ms Coleman has restored those lost years and we must all thank her.

From the Archive

May 1993, no. 150

Art Rat by Robert Wallace & One Too Many by Melissa Chan

The chief protagonist in Robert Wallace’s Art Rat is a character about as savoury as Sid Vicious at his worst. The Art Rat begins life as Glyn, then transforms himself into Matthew and finally Lupo, psychopath disguised as conceptual artist. With each new identity he sinks further into madness and obsession.