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ABR Arts

Book of the Week

A Memoir of My Former Self: A life in writing
Memoir

A Memoir of My Former Self: A life in writing by Hilary Mantel, edited by Nicholas Pearson

In the title piece of this posthumous selection of reviews, criticism, essays, and journalism, Hilary Mantel describes how she once visited an irritating psychic she nicknamed ‘Twerp’ in order to guide her back to her former self: ‘I didn’t necessarily think I had a past life, but I wanted to know how it would feel if I did.’ Her former self turns out to have been a ‘miserable illegitimate infant’ called Sara, born to a family of millworkers in the north of England. Sara isn’t an unlikely candidate: Mantel’s mother worked in a cotton mill from the age of fourteen, as did her maternal grandmother, who left school aged twelve; Mantel’s great-grandmother had been illiterate. Mantel comes from ‘a long line of nobodies’. All that ‘Twerp’ wants to ask Sara is whether or not she is courting, when the real love of Sara’s life is Billy, her white bull terrier. ‘If Sara had slapped him,’ Mantel wonders, ‘what sort of a defence would I have had to a charge of assault?’

Interview

Interview

Interview

From the Archive

November 2011, no. 336

Into the Unknown: The Tormented Life and Expeditions of Ludwig Leichhardt by John Bailey

In 1848 Ludwig Leichhardt and half a dozen companions set out from Queensland’s Darling Downs, intending to cross the continent to the Swan River Colony in Western Australia. The entire expedition disappeared, virtually without trace. Since then at least fifteen government and private expeditions have tried to ...

From the Archive

October 2000, no. 225

Water Colours by Sarah Walker & Bad Girl by Margaret Clark

Sometimes ‘good’ girls just have to be ‘bad’. The ‘heroines’ of both these novels desperately want ‘to fit in’, but eventually discover that ‘fitting in’ involves accepting yourself for who you are, not changing into someone else. This seems an obvious lesson, but of course it’s one of the hardest to learn. Both books are jacketed in gorgeous fashion; the matte photographic images are enticing and every bit as seductive as the CD cases and video clips they emulate. But where one is brash and vibrant the other is muted and subtle – a description which could aptly be applied to the plots, too. For Walker and Clark deal with the age-old concern of self-identity in very different ways.

From the Archive