'Spring Fall' by Adrian Caesar | States of Poetry ACT - Series One

I see you stand with your back to me
at the French window as you did last March
looking at early flowers
yellow and crimson, pansy and primrose
peeping from their crust of snow and
above them the steel-sculpted angel
rearing from a wooden plinth: guardian
of the courtyard. In those bleak days I knew
you were reading the cemetery metaphor
of your blighted time; your death-sentence
delivered too early before you'd finished
flourishing, much less gathered the fruits
of later life; the hope of a ripe fall.
I did not speak then, not knowing what to say
and keen to lend what strength I could to
elongate your stay. It's only now you've gone
these words insist, should I have spoken and
what said? The silence echoes in this
recurring scene of you turning to face
breakfast, the torture food had become,
and me, who could not stop the haunting
of that cold figure, the austere seraph
you'd bought, body and wings
three curved scimitars surmounted
by a featureless ball-bearing head,
apt messenger of death in spring;
an angel built to last: terrible, hard
and comfortless.

Adrian Caesar

 

Recording ('Spring Fall' begins at 3:04)

Adrian Caesar

Adrian Caesar

Adrian Caesar was born and educated in England, but has lived and worked in Australia for more than thirty years. He is the author of three books of literary and cultural criticism and an experimental 'non-fiction novel', The White, which won the Victorian Premier's Award for Non-Fiction in 2000 and the ACT Book of the Year in 2000. His novel, The Blessing, was published by Arcadia in 2015. He has also published five books of poetry, the latest of which is, Dark Cupboards New Rooms (Shoestring Press, 2014). High Wire (2005) was shortlisted for the Judith Wright Prize in 2007. His work has recently featured in The Best Australian Poems 2014 and Dazzled – an anthology of poems long-listed for the inaugural University of Canberra's Vice Chancellor's International Poetry Prize.

Comments (1)

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    Love all three of Adrian's poems , they are such comfortable ,gentle containers of the subtle experiences of lose and time slowly moving on.

    Tuesday, 04 October 2016 00:51 posted by Christine Porter

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