States of Poetry 2016
'Quetzalcoatl' by Sarah Holland-Batt | States of Poetry Queensland - Series One
—for Vera Pavlova, in Mexico City
On the bus to Teotihuacan, we turn
a new god's name on our tongues
like a charm, jagging past
cinderblocked hills
chocked over the motorway,
grey pixels stacked so high they merge
with the smoked white Mexican sky—
then a guitar player in the aisle
begins a song whose only familiar
wo ...
Graces Road
Rise above it, my mother used to say,
and now she's old, she herself is something I must rise above.
Just now, to separate myself, I turned and drove,
and finding Graces Road, followed its name
upwards to paddocks that a summer of scant rain
had worked into yellow and m ...
'Treecreeper' by Sarah Holland-Batt | States of Poetry Queensland - Series One
Bebop sparkplug spurred in withershins,
loop-de-loop interloper, he hop-steps
ravines of bark, shirking faultlines,
going solo, headstrong, scion of impatience,
juddering like the stalled engine
of prop-plane on tundra runway, skirting
and skimming up, peeling out,
reeling in spiral, spy, scout, prematurely
thrusting into the unknown, Magellan
runnin ...
Notes from the inland
When he goes into that country,
a man loses his thinking
Patrick Mung Mung
A tree opens
a crack ...
'Lapis Lazuli/Sketches from the Nile' by Sarah Holland-Batt | States of Poetry Queensland - Series One
I.
You tilt lapis to your lip –
a day light as wicker.
By the water, bullrushes bow
into sailboat blue, lace-necked
egrets fossick and pick,
and the elements rearrange
a goliath heron's skull to mud.
Up on the embankment
a crouching child scratches
his name into a temple wall.
II.
Ultramarine, lapis lazuli—
Woman in Bath
after Brett Whiteley’s Woman in Bath (1964)
There was fog on the windows,
inside and out.
She wound her hair into a bun
and eased into the shallow water.
I stood in the doorway, squinting.
&n ...
Reply from the Women of Tangier
after Brett Whiteley’s The Majestic Hotel, Tangier (1967)
So secretly together do we wear
our separateness, we’re so complete
he gives us the white stare.
Easy to see decay and disrepair
in the spittle and hashish-ruined streets.
But secretly together we all wear
our ...
Right at the back of the world's yard I am sitting. I have nothing.
I had a stone but lent it to the poet to put in his shoe. No sooner
did he turn into a slim golden feather that flew straight to the
sun that fed the snakes new skins. It could as easily have
resulted in ripe figs resting in baskets or unruly persimmon
trees twirling in fogged mountains. Regardless ...
Green Mountain (Fiji)
after Brett Whiteley’s The Green Mountain (Fiji) (1969)
The skyward pitch of the hill in its green glory
rising heavy and indolent as the knee of a woman
sunbathing in a sarong,
and the thigh that leads from this knee,
an emerald downswelling syncline,
end where the womb’s elasti ...
Above us we hear the windmill yelping, circling like a trapped
dog while the house sits like a black skull on the hill. Above us
the tombs are rising from their rest and travelling along the
roads beneath trees turning sourly. Above us the wind flings
uncountable seed into the dignified light tossed through the
depths by a green moon rolling over and over in the sh ...