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Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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Episode #182
In this week’s ABR Podcast, Frank Bongiorno assesses the Albanese government, which has recently completed the first half of its first term in office. Frank Bongiorno is Professor of History at the Australian National University, President of the Australian Historical Association, and the author of books including Dreamers and Schemers: A political history of Australia. Listen to Frank Bongiorno’s ‘‘‘Thin labourism” How is the Albanese government travelling?’, published in the April issue of ABR.
I think of you now for the first time
in about five times as many years
as you actually lived, so uncomplainingly,
they always said, as they do of the dead.
In our new episode, ABR Editor Peter Rose reviews Yellow Notebook, the first volume of the diaries by Helen Garner, a most anticipated book. Here, we delve into Garner's own private musings, the diaries she kept during the pivotal years of her writing life.
Gale Edwards’s production of La Bohème is back for an extended summer season – sixteen performances no less. This production has been filling theatres since its creation in 2011. It may not run for as long as Franco Zeffirelli’s 1981 extravaganza, still an annual fixture at the Metropolitan Opera, but it probably has another good decade to go. Revived here by Liesel Badorrek, it works considerably better in the tiny Joan Sutherland Theatre than it did in the State Theatre in 2018; the latter is too palatial for bohemian confinement and privations.
... (read more)Reviewing the recent production of Madama Butterfly in Adelaide, I dwelt on Giacomo Puccini’s ceaseless search for new subjects between operas and how he considered everything from a Zola novel to the historical Marie Antoinette before settling on the story of Cio-Cio San.
... (read more)With certain artists – the luminaries, the abiders – it’s tempting to assign a kind of inevitability to their oeuvres. The musicals of Cole Porter, the satires of Jane Austen, the exiguous poems of T.S. Eliot have a kind of perfection that make them seem nonchalant. But here we run the risk of overlooking the sheer chanciness of most artistic careers – not to mention the false starts and tribulations.
... (read more)To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.
... (read more)A few weeks after that memorable Peter Grimes from the Sydney Symphony Orchestra, Sydney and Melbourne ...
Melburnians haven’t heard Nicole Car since 2014, when she was a luminous Tatiana in Kasper Holten’s production of Eugene Onegin. Much has happened to the Melbourne-born lyric soprano since then, primarily in Sydney at first with several big Mozart and Verdi roles (Pamina, Fiordiligi, Violetta, Luisa Miller) ...
... (read more)