Morag Fraser

Book reviewing and its provocateurs: 'What single development would most improve the Australian critical culture?'

Patrick Allington et al.
27 April 2015

Last month in Melbourne, a group of book reviewers and literary editors took part in a conference organised by Monash University’s Centre for the Book. There were more than thirty short papers, or ‘provocations’, as they were styled. Our Editor lamented the low or non-payment of some reviewers (especially youn ... More

Morag Fraser reviews 'Can't and Won't' by Lydia Davis

Morag Fraser
26 February 2015

Reading Lydia Davis’s stories is akin to getting new glasses – or glasses for the first time. Suddenly the world shifts into sharp, bright focus. Disturbing. Disorienting. What you see, or understand, won’t necessarily gladden your heart. It may pique it, but you may not want to be brought so close to life, to the poignancy of it all. Not at first, anyway.

... More

Handel’s Messiah (Royal Melbourne Philharmonic Choir and Orchestra)

Morag Fraser
17 December 2014

The huge Town Hall crowd who surged to their feet to applaud – and go on applauding – the Royal Melbourne Philharmonic’s twilight performance of Messiah did not do so ‘like sheep’, nor like a last-night-at-the-Proms booster crowd. Their gesture had more in common with King George II’s reputed rising in glad awe for the Hallelujah Chorus during t ... More

Morag Fraser reviews 'Stone Mattress' by Margaret Atwood

Morag Fraser
27 October 2014

One swallow doesn’t make a summer, as the stark proverb cautions, but a cockatoo flocking of short stories suggests that the form is perhaps enjoying a revival – and the publishing industry has seized an opportunity. As it should.

In 2013, Alice Munro won the Nobel Prize for literature, lauded as ‘the master of the contemporary short story’. Edna O ... More

Morag Fraser reviews two new books by Edna O'Brien

Morag Fraser
26 March 2014

In the 1960s she was deemed an Irish Jezebel. After the publication of her début novel, The Country Girls (1960), the local postmistress told her father that a fitting punishment would be for her to be kicked naked through the town.

Now, a half century later, her litterateur countryman John Banville has introduced Edna O’Brien’s Collected Stor ... More

Morag Fraser on extremes in the United States

Morag Fraser
26 February 2014

Indiana’s State Route 67 is a highway straight out of Alfred Hitchcock, an open-skied strip through flat country, bordered by desultory malls, a ‘drive-thru’ Taco Bill, a county jail and sheriff’s department, a pedimented Walgreens and – most intriguing – the Mooresville ‘Lost Inn Motel’, and the ‘Lost Name Steak-house and Saloon’. (Google r ... More

The Accursed

Morag Fraser
25 June 2013
Morag Fraser tackles ever-prolific Joyce Carol Oates’s massive new novel, ‘The Accursed’, and likens it to a gigantic doll’s house: ‘The house has too many tour guides, encyclopedic, opinionated, and unreliable More

Morag Fraser on J.M. Coetzee's 'The Childhood of Jesus'

Morag Fraser
18 February 2013

‘What is chaos?’ asks the unnerving child at the centre of J.M. Coetzee’s new parable-novel, The Childhood of Jesus. ‘I told you the other day,’ replies the child’s guardian. ‘Chaos is when there is no order, no laws to hold on to. Chaos is just things whirling around.’

Louise Erdrich’s The Round House begins with ... More

Morag Fraser reflects on the outlook for America in Obama’s second term

Morag Fraser
31 January 2013

November in America signals a time to gather in, take stock and breathe a little. The elections are done by the end of the first week. Thanksgiving beckons, the high holidays begin, media fever subsides – a little – and morphs into retrospective political analysis and projected anxiety about the future, especially, since 2008, the economic future.

It is ... More

Lincoln

Morag Fraser
30 January 2013

The Academy Award season is so given to hyperbole that it was a relief to read one critic not starry-eyed about Steven Spielberg’s Lincoln. Rex Reed, in the New York Observer, criticised the film for having ‘too much material, too little revelation and almost nothing of Spielberg’s reliable cinematic flair’. I don’t agree for a moment, but Re ... More

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