Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlinesMore
The slap that I wanted to deliver with that book was to a culture in Australia that had literally made me sick, sick to the stomach. A middle class culture that struck me as incredibly selfish and ungenerous … I wanted to try and write a book ... that represented that culture. And to do that, honestly, I had to put myself in the middle of it. I also had to put my Greekness in the mid ... More
Book reviewing and its provocateurs: 'What single development would most improve the Australian critical culture?'
Last month in Melbourne, a group of book reviewers and literary editors took part in a conference organised by Monash University’s Centre for the Book. There were more than thirty short papers, or ‘provocations’, as they were styled. Our Editor lamented the low or non-payment of some reviewers (especially youn ... More
When Richard Flanagan won the 2014 Man Booker Prize for his sixth novel, The Narrow Road to the Deep North, it was not the first time that he had won an international fiction prize; his third novel, Gould's Book of Fish (2001), won the Commonwealth Writers Prize in 2002. Nor was it the first time that one of his novels had caused deep division amon ... More
In 1978, Australia’s two most coveted national literary prizes of the time were both won by women: Helen Garner’s first novel Monkey Grip (1977) won the National Book Council Award for fiction, and the Miles Franklin Literary Award was won by Tirra Lirra by the River (1978), Jessica Anderson’s fourth novel. Both of these books have since become c ... More
When the polio epidemics at the hinge of the twentieth century were catching hundreds of Australian children and adults in their web of pathogens, a pub in suburban Perth called ‘The Golden Age’ was converted – with its name unchanged – into a convalescent home for children who were recovering from polio but still unready to go back into the world. Joan Lond ... More
Kerryn Goldsworthy admires Margaret Atwood’s depth of intellect as revealed in MaddAddam, the concluding sequel to Oryx and Crake and The Year of the Flood.More
Why do you write?
Because I’m a compulsive communicator. I also like structure and making things, so making sentences out of words and paragraphs out of sentences seems the obvious way of making sense of the world.
Are you a vivid dreamer?
Occasionally ... More