James Ley

To celebrate the best books of 2018, Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser

Krapp’s Last Tape was first performed in 1958, which places it towards the end of Samuel Beckett’s middle period: those fruitful postwar years during which he wrote his major More

When the bloated and pocky corpse of literary studies is finally thrown from the battlements of the ivory tower in a futile attempt to appease the unappeasable forces of neoliberal corpora More

There was a certain predictability to the arguments that flared when Bob Dylan was awarded the Nobel Prize for Literature in 2016. For the most part, they were variations of the arguments More

To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wy More

The literature of the modern era contains any number of stories about doppelgängers, divided selves, alter egos, obsessive relationships, and corrosive forms of mutual dependence. The end More

Among Don DeLillo's sixteen previous novels, White Noise (1985) is commonly held up as the apotheosis of his satirical vision, while his postwar epic Underworld ...

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines