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ABR Arts

Theatre

Gaslight 

Rodney Rigby for Newtheatricals in association with Queensland Theatre

Book of the Week

Ghosts of Paradise
Poetry

Ghosts of Paradise by Stephen Edgar

With a title like Ghosts of Paradise, it is no surprise that Stephen Edgar’s latest poetry collection is haunted by loss, mutability, and mortality – the great traditional themes of elegiac poetry. But Edgar’s poetry has long, if not always, been characteristically elegiac. In this new collection, Edgar’s first since winning the Prime Minister’s Award for poetry in 2021 (and his first for Pitt Street Poetry), the poems are haunted by the poet’s late parents, late fellow poets (especially W.B. Yeats, but also the Australian poet Robert Adamson, for whom there is an elegy), and ancient poetic forms, such as the sonnet. The collection also includes meditations on ageing, corpses, and photographs (including Roland Barthes’ ‘theory / That every photo is a memento mori’). An interest in the intertwining of memory, embodiment, and visual representation is powerfully realised in ‘Still Life’, in which the memory of a trip to Broken Hill is

Interview

Interview

Interview

From the Archive

September 1992, no. 144

Exit Points by Nick Gray

As novels such as Lucky Jim attest, universities provide a fertile setting for excursions into bizarre humour. Even at the best of times they seem somewhat divorced from reality, so sending them further off the planet by depicting them through the jaundiced eye of satiric exaggeration fits nicely.

            Exit Points by Nick Gray is set in a university. But it is not about tertiary education as such. The novel – often hilarious, usually funny, sometimes ludicrous – is an extravagant attack on the structures of reality, undertaken in an academic context for the reasons I’ve already suggested. Like Alice in Wonderland – towards which it nods deferentially – Exit Points digs a way at ordinary human assumptions until the reader is dropped into the chaos of thoroughly enjoyable nonsense. But, as in Alice, we remain aware that reality is the real issue here, even though its structure might be utterly discredited.

From the Archive

October 2011, no. 335

Peter Rose reviews 'The Eye of the Storm'

So Patrick White’s most flamboyant novel (with the possible exception of The Twyborn Affair) has been brought to the cinema, after the usual longueurs and…

From the Archive

July–August 2012, no. 343

Beautiful Ugly: The Architectural Photography of John Gollings by Joe Rollo

What makes a good architectural photograph? In an ideal world, it is the product of a dialogue between the architect’s intentions for his or her building; the built form and its synergy with its environment; and the photographer’s ability to interpret these elements in a creative and dynamic way. A successful photograph should offer a clear visual representation of a building, but it should also capture its defining spirit. And there is one final element which often remains an unspoken, if fundamental, part of this process: the role of photography in ‘selling’ a building. So it is interesting that this large book celebrating the work of John Gollings begins with a quote by the great American architectural photographer Julius Shulman, which states, in part, ‘the truth is that I am a merchandiser. I sell architecture better and more directly and more vividly than the architect does.’