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ABR Arts

Theatre

Gaslight 

Rodney Rigby for Newtheatricals in association with Queensland Theatre

Book of the Week

Ghosts of Paradise
Poetry

Ghosts of Paradise by Stephen Edgar

With a title like Ghosts of Paradise, it is no surprise that Stephen Edgar’s latest poetry collection is haunted by loss, mutability, and mortality – the great traditional themes of elegiac poetry. But Edgar’s poetry has long, if not always, been characteristically elegiac. In this new collection, Edgar’s first since winning the Prime Minister’s Award for poetry in 2021 (and his first for Pitt Street Poetry), the poems are haunted by the poet’s late parents, late fellow poets (especially W.B. Yeats, but also the Australian poet Robert Adamson, for whom there is an elegy), and ancient poetic forms, such as the sonnet. The collection also includes meditations on ageing, corpses, and photographs (including Roland Barthes’ ‘theory / That every photo is a memento mori’). An interest in the intertwining of memory, embodiment, and visual representation is powerfully realised in ‘Still Life’, in which the memory of a trip to Broken Hill is

Interview

Interview

Interview

From the Archive

February–March 1983, no. 48

One Continuous Picnic: A history of eating in Australia by Michael Symons

Adam Smith’s economics foresaw that capital would seek new ways to save us kitchen time, to brighten the dinner table and to stop us for a roadside snack, but each time an investment saved a minute here, lifted a moment there, filled a gap in the market, it separated eaters further from the source of food. The ‘middle­man’ slandered agrarian values, insulated us from the seasons, took away the diversity of distance, compromised quality for price, and then distracted us from the deterioration with the baits of cheapness, convenience and gourmet entertaining.

That statement on page 229 more or less summarises Michael Symons’s book and indicates several of its basic muddles. Yet in many ways it is an invaluable pioneering history and, if it often exasperates, it at least leads the reader to some stimulating and constructive fury, in a very enjoyable way.

From the Archive

October 1998, no. 205

National Library of Australia Essay | 'Natural Horizons' by Martin Harrison

State of mind: it’s a simple phrase but it is one which has always interested me. ‘State of mind’ is about what? Sets of feelings? Predispositions and moods? Or perhaps more it’s a term to do with the groove which thoughts regularly follow along. A state of mind is one which makes you respond in a particular way: you tend to act in a particular way; you have recurrent feelings.

The phrase interests me because it defines a feeling so intimate – so normal and everyday. Indeed, it is so intimate that it becomes difficult to say what a state of mind is. What are its boundaries? Where does it stop? Is this mind-set just mine or is it something to do with events out there, the latest news about the economy, the extravagant telephone bill which has just arrived, the relaxed feeling of walking along a beach, a recent argument, an enjoyable dinner party? For however influential and pervasive states of mind are, they are also fluctuating, amorphous things.

From the Archive

March 2006, no. 279

‘Art Museums in an Age of Bread and Circuses’ by Christopher R. Marshall

Ladies and gentlemen, welcome to the brave new world of Museum Expansion Incorporated. Do you have an overstuffed museum? Is it situated, perhaps, next to an urban area in need of a makeover: some rotting docklands, say, or an abandoned flour mill? Are you privy, alternatively, to plans for a combined retail/office/residential development in need of that one extra component to give it the ultimate lift? Then buttonhole a politician eager for a good news story for a change, generate a pile of capital works grant applications, and take out some philanthropists for a really long lunch. You are now free to commission an architect or two. Either young and keen, or old and eminent, it doesn’t much matter as long as they have a creative vision expansive enough to sustain an innovative piece of ‘destination’ architecture.