Drusilla Modjeska

Exiles at Home is a fascinating work by a feminist of the 1970s about a group of anti-fascist feminists of the 1920s and 1930s. From it we learn as much about the world view of the author as we do about the politics of its subjects. A serious book, about serious writers, it examines novels for their historical rather than for their literary interest. It offers no real criticism of writing styles, and no comparison with modem feminist authors. Nor is it a book to be read in the hope of rediscovering almost forgotten characters from our literary past.

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Christina Stead can take comfort, if such were to give comfort and if comfort were what she needed, that the publication of a reader of extracts from her work must signify that she is established not only on the reading lists of our universities – a dubious honour she has had for some time – but also, I presume, in our high schools. I cannot imagine who else this sort of book can possibly be aimed at. Perhaps at people who want to appear to have read Christina Stead but do not relish the work of reading her admittedly lengthy novels. In which case they deserve all that they miss. Is the next step towards the heights of literary honour to be, like Dickens, condensed? Our school children, at any rate, deserve better. Christina Stead certainly does.

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Open Page with Drusilla Modjeska

Australian Book Review
Friday, 26 February 2016

I wouldn't mind being a fly on the wall when Ta-Nehisi Coates has dinner with James Baldwin and Chinua Achebe – and, as long as I'm out of range, up on the ceiling when Rudyard Kipling joins them.

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Bernadette Brennan reviews 'Second Half First' by Drusilla Modjeska

Bernadette Brennan
Monday, 26 October 2015

Twenty-five years ago, Drusilla Modjeska's Poppy reimagined boldly the possibilities for Australian memoir. Modjeska recounts in her new memoir, Second Half First, how in her inaugural appearance at a writers' festival she was on a panel discussing autobiography with two established British writers, Victoria Glendinning and Andrew Motion. Poppy ...

Gillian Dooley reviews 'The Mountain' by Drusilla Modjeska

Gillian Dooley
Tuesday, 24 April 2012

Papua New Guinea doesn’t loom large in Australian literature. As Nicholas Jose says, our ‘writers have not much looked in that direction for material or inspiration’. Drusilla Modjeska is thus entering relatively new territory for Australian fiction with an ambitious epic set in PNG. It is also a new venture for her: Poppy (1990), her only previous ‘novel’, won two non-fictio ...