Music

In July 1986, an ascendant Midnight Oil joined forces with the Northern Territory’s trailblazing, predominantly Indigenous Warumpi Band and embarked on the joint ...

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Is it surprising that Jeff Sparrow should write a book on Paul Robeson, the great American singer who was also a civil rights activist, a man of the left, and the most celebrated Othello of the twentieth century? Sparrow is a broadcaster and columnist, but he is also the immediate past editor of Overland, a literary journal dedicated to a mixed diet of – ...

Finding the right teacher is always a challenge for young singers, and the relationship between student and teacher can see the formation of a lifelong bond. By the same ...

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A century before Beatlemania there was Lisztomania. The symptoms were similar: fans driven to near delirium by their proximity to their musical idols, this mass hysteria finding involuntary physical release during performances. The Beatles may have been mobbed during their 1964 American tour, but Liszt left Berlin in March 1842 ‘not like a king, but a ...

The Soviet violinist David Oistrakh made a triumphant tour of Australia in 1959, a few years after his wildly successful New York début. Along with pianist Emil Gilels and cellist ...

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It is a testament to Ralph J. Gleason’s standing in the jazz community, at the time these interviews were made, that a composer of the stature of Duke Ellington would consider ...

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In March of 1966, Los Angeles rock group The Byrds released their sixth single, a song called 'Eight Miles High'. It was, writes Jon Savage, a song that combined 'two staples of sixties ...

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Iron in the Blood is jazz musician Jeremy Rose's ambitious and heartfelt tribute to Robert Hughes's The Fatal Shore (1986). Although some academic historians may demur ...

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Green Room: Michael Shmith interviews Brett Dean

Michael Shmith
Monday, 22 August 2016

Brett Dean, perhaps Australia's pre-eminent composer and certainly one of its most productive, is personable, witty, and engaging. He talks with heartfelt eloquence about ...

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There is a moment early in the 'Heiliger Dankgesang' movement of Beethoven's Quartet Op. 132 when, without ceremony, an alien, courtly trio is plonked down ...

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