In Tirra Lirra by the River, an elderly woman, Norah Porteou, returns to live in her childhood home in Brisbane after forty years as a ‘London Australian’. The house is empty, so is her life. Norah is a ‘woman whose name is of no consequence’. She is sensitive, vaguely artistic, slightly superior (‘Mother,’ she appeals in a childhood scene, ‘don’t let Grace call me Lady Muck.’) The novel consists of a review of her past, with interruptions from half-remembered neighbours offering curious and resentful help.... (read more)
Robin Gerster reviews Postcolonial Heritage and Settler Well-Being: The historical fictions of Roger Mcdonald by Christopher Lee
Though he had already produced two volumes of poetry, Roger McDonald first came to popular attention with his spectacular début novel, 1915, published in 1979. A recreation of the Gallipoli Campaign from the points of view of two ...... (read more)
How much do you care about sheep? I mean really care about sheep. Because The Ballad of Desmond Kale is up to its woolly neck in them. It’s an unusual and inspired variation on the classic Australian colonial novel of hunters for fortune, for identity and for redemption ...... (read more)
Why do you write? Through a love of words. Are you a vivid dreamer? Awfully, but I was warned early not to put dreams in novels, at least nothing longer than half a line ...... (read more)
As Ratty observed to Mole, ‘There is nothing – absolutely nothing – half so much worth doing as simply messing about in boats.’ In Roger McDonald’s A Sea-Chase, lovers Wes Bannister and Judy Compton would certainly agree, but before they achieve Ratty’s state of nautical transcendence much that does matter has to be dealt with.
Roger McDonald reviews 'The Songs of Trees: Stories from nature’s great connectors' by David George Haskell
The Songs of Trees takes its title from something that might not actually happen. Do trees sing? The notion runs through the American biologist David George Haskell’s second book in twisty directions, like a half-caught melody. (His first book was The Forest Unseen, a Pulitzer Prize finalist in 2013.)
Don’t trees just make sounds, crack ...
Between the wars, the dominant mode of Australian fiction was the saga: tales of land-taking and nation-building, melodramas within families across generations, characters shaped by loneliness and obsession ...... (read more)