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ABR Arts

Book of the Week

Thunderhead
Fiction

Thunderhead by Miranda Darling

A feminist triumph and homage to Virginia Woolf, Miranda Darling’s Thunderhead is a potent exploration of suburban entrapment for women. The novella opens with a complex satire of Ian McEwan’s response to Woolf’s Mrs Dalloway (1925) in his novel Saturday (2005). All three books are set over the course of a single day, where the intricacies of both the quotidian and extraordinary occur. In this novella’s opening paragraphs, Darling’s protagonist, Winona Dalloway, wakes to see the sky ablaze through her window. While ‘it is dawn in the suburbs of the east’ – rather than a burning plane, evoking 9/11 terrorism, as in McEwan’s novel – she believes it ‘telegraphs a warning, red sky in the morning’. This refers to the opening of Mrs Dalloway, where Clarissa Dalloway feels, ‘standing there at the open window, that something awful was about to happen’.

Interview

Interview

Interview

From the Archive

December 2014, no. 367

'Rent Time', a new poem by Gig Ryan

1.

Anywhere’s more homely
than this field day to mortality,
accumulating severances
that wrangle distance
like before and after’s rosary of rue.

From the Archive

November 2009, no. 316

A History of Australian Defence and Foreign Policy 1901–23: Volume Two – Australia and World Crisis, 1914 – 1923 by Neville Meaney

War aims to achieve essentially political objectives through the use of organised violence. It is a tricky business because the means we try to use – the violence itself and the way we organise and inflict it – exert a powerful fascination which often overshadows the objectives we have set ourselves. We so easily focus on the fighting itself and forget why we are doing it. Afghanistan today shows how the resulting muddle can distort contemporary strategic choices. But it also affects our view of past wars, which matters because past wars so strongly shape the way we see ourselves today. We tell and retell the stories of our soldiers’ heroism and tragedy, but hardly consider what they were fighting to achieve. As a result, we come to see our military history as a series of heroic exploits shorn of strategic purpose, so that war’s violence and sacrifice becomes self-validating; an end in itself. Almost, as Peter Weir suggested, like a sport.

From the Archive

September 2009, no. 314

The People’s Train by Tom Keneally

The People’s Train, a book that links Queensland to the Russian Revolution, comes with baggage. Not least, there is the mixed critical reaction Tom Keneally has endured over the decades. Perhaps most notably, he is forever to be hailed and damned as the author of Schindler’s Ark (1982). Keneally’s popularity seems double-edged: Simon Sebag Montefiore, a writer of books about Russia, breathlessly lauds The People’s Train as a ‘tremendous read and really exciting’, yet Keneally’s compulsive readability – surely cause for celebration – has somehow dented his reputation as a ‘serious’ writer.