Patrick McCaughey

A major revolution swept through British art history in the 1980s. It shook up its genteel ways and turned it resolutely, even militantly, towards the social history of art ...

... (read more)

Philippe de Montebello was Director of the Metropolitan Museum of Art for thirty-one years. The astonishing length of his tenure is matched by the brilliance of his reign. Every part of the museum's forty-plus acres of exhibition space was renewed or transformed during those years, from classical antiquity to twentieth- and twenty-first-century art. Not a tatty corn ...

Arts Highlights of the Year

Robyn Archer et al.
Monday, 26 October 2015

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...

Patrick McCaughey reviews 'My Dear BB' edited by Robert Cumming

Patrick McCaughey
Thursday, 27 August 2015

By some accounts, it was love at first sight. When Kenneth Clark, recently graduated with a 2A from Oxford, lunched with Bernard Berenson at I Tatti in September 1925, BB impulsively invited him to collaborate on the revised edition of his chef d’oeuvre: The Drawings of the Florentine Painters, C ...

Piero di Cosimo: The Poetry of Painting in Renaissance Florence

Patrick McCaughey
Thursday, 04 June 2015

Every student of Australian art knows that when Arthur Boyd went to London in 1959 and paid his first visit to the National Gallery, two paintings laid siege to his imagination. Titian’s The Death of Actaeon was one from which came Boyd’s tormented

... (read more)

Patrick McCaughey reviews 'John Olsen' by Darleen Bungey

Patrick McCaughey
Monday, 02 March 2015

Eight years ago Darleen Bungey published a revelatory biography of Arthur Boyd. She cast shadows across the ‘idyllic’ Open Country years where the extended Boyd family lived in suburban Murrumbeena and unflinchingly detailed his declining, alcoholic years at Bundanon. Bungey’s compelling new biography of John Olsen has its share of revelations. Olsen’s weak ...

Patrick McCaughey visits the Rijkmuseum

Patrick McCaughey
Friday, 28 February 2014

The Rijksmuseum used to be the dullest of the major European collections. It looked as though Ursula Hoff had painted all the pictures. An air of dowdiness hung over the massive building and crowded collections where the good and the great indiscriminately mixed in with the mediocre in warren-like galleries with an over-supply of the decorative arts.

...

Patrick McCaughey on 'Picasso and Truth'

Patrick McCaughey
Tuesday, 27 August 2013

Picasso at twenty-five was famous in Paris, comfortably off by 1914, wealthy and internationally recognised six years later. He married a leading ballerina, Olga Khokhlova, in Serge Diaghilev’s Ballets Russes. It turned out badly. Two of his mistresses, Fernande Olivier and FranÇoise Gilot, wrote tell-all memoirs, which he did his best, unsuccessfull ...

Patrick McCaughey on 'Self-Portrait as a Young Man'

Patrick McCaughey
Wednesday, 26 June 2013

Roy Strong was appointed director of the National Portrait Gallery (NPG) in 1967 at the age of thirty-two. Today it would be astonishing to head one of the United Kingdom’s national collections at that age; five decades ago it was outrageous. Only Kenneth Clark at thirty was younger when he became director of the National Gallery. Strong’s ascent to the NP ...

Patrick McCaughey reviews 'Cézanne: A Life'

Patrick McCaughey
Friday, 08 March 2013

The lives of artists have formed a staple of art history from Vasari in the sixteenth century to Alex Danchev in the twenty-first. Current styles of art history may frown on biographies of artists. They smack too much of the hero artist and side-step the social construction of art. Yet the genre shows no sign of wilting. In our time we have such masterly works ...

Page 2 of 3