Kenneth Cook

The idea of the outsider is, of course, a concept shared by all living beings; the jellyfish and the silverback gorilla alike have trained themselves to distrust a stranger. But there is something particular about the Australian suspicion of otherness, a ruddy and avuncular mask that hides an abiding, almost pathological, wariness...

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Kenneth Cook (1929-87) was a prolific author best known for his first novel, Wake in Fright (1961), which was based on his experience as a young journalist in Broken Hill in the 1950s. In January 1972, as I sat in a London cinema watching the film made from this novel by director Ted Kotcheff, its nightmare vision of outback life seared itself into my brain ...

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There is something alluring about the publication of a lost or unknown literary manuscript. How will it fit into the author's body of work? Is it inferior to or better than the published work? Does it illuminate a hitherto unknown aspect of the author's thinking, or make you re-examine the known sequencing or themes? These questions were on my mind as I read Fea ...

Kotcheff’s Wake

Jake Wilson


Wake in Fright
by Tina Kaufman
Currency Press, $16.95 pb, 72 pp, 9780868198644


Eight years after its launch, the Australian Screen Classics series of monographs represents a valuable, ongoing contribution to l ...

Kenneth Cook was always a little surprised by the success of Wake in Fright. He dismissed it as a young man’s novel, as indeed it was; he published it in 1961, when he was thirty-two. Among his sixteen other works of fiction he was prouder of Tuna (1967), a partial reimagining of Hemingway’s The Old Man and the Sea set off the coast of South Australia, and The Man Underground (1977), which dealt with opal mining. Perhaps he preferred them because he had enjoyed the research involved. It is true that both are better crafted, more assured, than the novel that made his name. But he could never quite accept that Wake in Fright delineated grim truths about the bush and its inhabitants that his other novels do not capture.

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