ABR Arts

Wangaratta Festival of Jazz and Blues

Des Cowley
Monday, 12 November 2018

Now in its twenty-ninth year, the Wangaratta Festival of Jazz and Blues continues to deliver programming that is innovative, ambitious, and far-reaching. That a long-running Festival of this scale and significance takes place annually in a regional Victorian city says much about the tenacity and dedication of the Festival’s artistic team ...

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A Cheery Soul (Sydney Theatre Company) ★★★1/2

Ian Dickson
Monday, 12 November 2018

This reviewer has the unfashionable opinion, at present, that Patrick White, like Henry James, was a novelist and short story writer of genius who had an unfortunate obsession with the stage. In the 1960s, the nascent Adelaide Festival produced the one play of his that deserves repetition, The Season at Sarsaparilla (1962) ...

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Boy Erased ★★★★

Dennis Altman
Wednesday, 07 November 2018

We all love redemption movies. The twist in Boy Erased is that redemption comes by escaping religion rather than discovering it. Garrard Conley is a nineteen-year-old college student who grew up in a fundamentalist Baptist family in Arkansas. When his parents discover his homosexuality ...

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The Update - November 7, 2018

ABR Arts
Wednesday, 07 November 2018

In this fortnight's Update: Michael Kupfer-Radecky's début in Die Meistersinger von Nürnberg, a Nelson Mandela exhibition at the Melbourne Museum, Alexis Wright on censorship and storytelling, the ABR Patrons' Fellowship, the ABR Arts Highlights of the Year, a reading of the Homer epics, La Mama Theatre's restoration, and giveaways for Suspiria, Lean on Pete, and Hedda ...

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Suspiria ★★★1/2

Andrew Nette
Monday, 05 November 2018

There is a sense of tension and anticipation around any film remake, especially when the original is well known and received. So is the case with Luca Guadagnino’s version of his countryman, Dario Argento’s cult horror, Suspiria (1977). There has been intense on-line debate about the movie from the moment the ...

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Krapp's Last Tape (fortyfivedownstairs) ★★★★1/2

James Ley
Monday, 05 November 2018

Krapp’s Last Tape was first performed in 1958, which places it towards the end of Samuel Beckett’s middle period: those fruitful postwar years during which he wrote his major plays, Waiting for Godot (1952) and Endgame (1957), and the three extraordinary novels known collectively as the ‘Molloy Trilogy’ (1951–58) ...

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The Sydney Symphony Orchestra’s late-October subscription concerts offered an interesting juxtaposition by pairing the final symphonies of Joseph Haydn and Ludwig van Beethoven. These masterworks illustrate the enormous changes that revolutionised symphonic writing within a few decades from the last decades of the eighteenth century.

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Wildlife ★★★★1/2

Barnaby Smith
Monday, 29 October 2018

Paul Dano, one of the most soulful and intense actors of his generation, has appeared in a number of films over the last decade in which rupture and dysfunction serve to undermine a family unit. In Little Miss Sunshine (2006) he famously played the voluntarily mute Dwayne, while the elegant and underrated For Ellen (2012) ...

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I'm Not Running (National Theatre) ★★★

Susan Lever
Friday, 26 October 2018

Anyone who saw Neil Armfield’s production of David Hare’s Stuff Happens at the Seymour Centre back in 2005 would surely look forward to a new collaboration between the director and author with keen anticipation. Stuff Happens was largely verbatim theatre, with actors speaking the words ...

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Degenerate Art (Red Line Productions) ★★★

Ian Dickson
Thursday, 25 October 2018

In the middle of Adolf Hitler’s speech to the assembled faithful on the final evening of the 1934 Nuremberg Rally which is the culmination of Leni Riefenstahl’s film Triumph of the Will, the führer conjures up a particularly heartfelt bellow from the gathering. For a moment he looks down at the podium ...

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