National Gallery of Victoria
A shift in the European mind is taking hold. The stable democracies of Germany and the Netherlands contrast sharply with an unstable France and a demagogic Italy. The northern tier has an increasing authority, politically and culturally. Art historically, the Amsterdam–Berlin axis challenges the hegemony of the Paris–Rome accord ...... (read more)
The traditional Western art museum is struggling a bit. Its former role as a repository of national values, as reified and aestheticised in paintings, sculpture, and the decorative arts, is today challenged if not assaulted on multiple fronts: ranging from economic, political, and social globalisation, to digital technology ...... (read more)
With a needle on cloth, Mary Jane Hannaford preserved her sharp observations of people as stout appliquéd figures set amidst interpretative renditions of Australian animals. Late in life she embroidered favourite verses and slyly captioned her pictures in quilts for her family. Close to one hundred ...... (read more)
Degas: A new vision is an exhibition of 206 works selected and presented by Henri Loyrette, the distinguished Degas scholar, former director of the Musée d'Orsay and subsequently director of the Musée du Louvre. In its range and variety the exhibition confirms the verdict of the writer and critic ...... (read more)
Jan Senbergs: Observation-Imagination is a major retrospective survey of this artist's long career. The 120 works selected for exhibition range from his formative years in the 1960s to 2014. They show Senbergs moving freely to create a stylistic identity that draws upon, yet stands decisively ...... (read more)
The pleasures of looking at pictures from a young age inspired Albert Ullin. At the opening of this exhibition to mark his donation of eighty works by Australian children’s book illustrators to National Gallery of Victoria, he expressed the hope that they would be recognised as mainstream art.
It was the great American Conceptual artist Sol LeWitt who organised Melbourne artist Robert Jacks’s first show in Manhattan. This was held at the New York Cultural Centre in 1971, part of a program where each exhibited artist nominated his successor. Jacks had been enjoying a stellar rise since his début solo exhibition at Gallery A in Melbourne in 1966, when he ...