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VIC contributor

What Happens Next? edited by Emma Dawson and Janet McCalman & Upturn by Tanya Plibersek

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December 2020, no. 427

What is to be done? The question is asked whenever humankind confronts a new crisis. And the answers, whether from biblical sources, Tolstoy, or Lenin (or indeed Barry Jones in his imminent book, What Is To Be Done?), must confront universal moral quandaries at the same time as they address local needs, hopes, and aspirations.

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Thucydides once said, ‘In a democracy, someone who fails to get elected to office can always console himself with the thought that there was something not quite fair about it.’ Chris Wallace is not inclined to agree with the Greek historian, particularly when dissecting the Labor Party’s shock federal election loss in 2019. In her latest book, How to Win an Election, Wallace nominates the ten things that Labor must get right to succeed at the next federal election, and self-pity is nowhere among them. This approach appears simplistic, even tongue-in-cheek at times, but she has captured the key elements of electoral success and makes a strong case that Australia cannot afford another ALP loss.

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Tony Page’s Anh and Lucien is an intricately plotted verse novel set in French Indochina during World War II. It centres on an unlikely same-sex love affair between Lucien, a colonial bureaucrat, and Anh, a young Vietnamese communist who supports Ho Chi Minh’s independence movement.

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The vision was of a brown-skinned child standing by her side. She sensed it so keenly that she could even feel the child’s warmth. It was so striking she wondered about her sanity … but as time went by, she became more comfortable with her vision, accepted it as something precious, a visitation of some sort that only she knew about.’

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Who was John Maynard Keynes? Was he the bookish Cambridge don who penned ambitious theories to overturn the tenets of economics and political liberalism? Or was he Baron Keynes of Tilton, the ardent imperialist who viewed British rule as a benevolent force bringing justice, liberty, and prosperity to the societies it administered? Was he a meticulous Lothario who kept lists of his hookups with anonymous men on notecards? Was he also a political statesman who lambasted the intransigency of his colleagues during fraught negotiations in two world wars?

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Honeybee, Craig Silvey’s highly anticipated new novel, his first since Jasper Jones (2009), chronicles the coming of age of fourteen-year-old transgender narrator Sam Watson, who was assigned male at birth. This is a story of desperate loneliness and fear, of neglect, family violence, betrayal, and self-disgust. But it is also one of love and solidarity, a celebration of the kindness of strangers who become family and friends.

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A short story collection can have much in common with a collection of poetry, where each story pivots on attention to something particular and arresting – an image, a memory, the encounters with strangeness or beauty that can occur in a life. Individual stories build delicately towards such a moment, then fall away quickly, willing a reader to engage with feeling and suggestion rather than the comprehensiveness of narrative.

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Lucky’s by Andrew Pippos

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November 2020, no. 426

In Andrew Pippos’s immersive and multi-layered début novel, Lucky’s, a tragic shooting that occurs in the last bastion of a Greek-Australian restaurant franchise becomes the fulcrum around which mental health, heartbreak, displacement, and toxic masculinity are explored.

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During a 1995 television interview on Charlie Rose soon after the publication of Martin Amis’s The Information, another long novel, there is a moment when, as Rose begins to read the opening passage, Amis’s mouth visibly slackens. Silently he intones the first lines. His hand (often tentatively raised toward his chin in interviews) searches out his forehead. There is a spectral waver in his gaze, a registering (as if accommodating, or incorporating, new information). He looks adrift, unmoored. Free-floating. One has the sense of a man assimilating his own self as it is spoken back to him. For a moment, he seems precarious.

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Flyaway by Kathleen Jennings

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November 2020, no. 426

At the heart of every fairy tale, there is violence: Snow White’s stepmother calling for her heart on a platter, Cinderella’s sisters mutilating their feet to fit the silver shoe. ‘All the better to eat you with, my dear,’ says the wolf, his belly already stuffed with grandmother’s flesh. From this bloodletting, the fairy tale tries to spin something wondrous, turning straw into gold and men into beasts.

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