UWA Publishing

Dear Chancellor French, I write this open letter to you to make certain points about the environment of university press publishing, in support of UWA Press and its Director, Professor Terri-ann White, and her team.

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Buildings or books ‒ what makes a university?

Robert White
Thursday, 21 November 2019

Word gets around quickly. Within a week of the University of Western Australia announcing the closure of UWA Publishing after eighty-five years, and the peremptory sacking of its staff, a petition had gathered almost 10,000 signatures. This is nothing new. Proposals to close UWAP in 1973, 1990, and 1996 were soundly defeated, after being robustly debated at UWA’s Academic Board, Convocation (alumni), and Senate. This rescued UWA from vociferous criticism voiced nationally and internationally.

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The closure of UWA Publishing

Daniel Juckes
Thursday, 14 November 2019

Sometimes Western Australia feels a long way from anywhere. Of course, that can be an attraction. It makes for something distinct and telling: everyone either revels in it or rebels against it, and both are productive in their own way. But now we must resist. The University of Western Australia’s recent decision to close UWA Publishing (at least in its present form) has made the gap between here and the rest of the country yawn. Western Australians need support from other literary communities across Australia if UWAP is to be reinstated.

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Rachel Robertson reviews 'Hearing Maud' by Jessica White

Rachel Robertson
Tuesday, 27 August 2019

Hearing Maud begins and ends with the notion that the narrator’s life has been defined by a pharmakon, an ancient Greek term denoting something that is both poison and cure. This subtle and more complex version of the ‘gift or loss’ dilemma common in disability memoirs avoids oppositional thinking and embraces instead paradox and nuance ...

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Requiem with Yellow Butterflies begins, aptly, with a death. Sitting at his office in Brisbane, the author receives news that Gabriel García Márquez has died at his home in Mexico. Across the world, there is a mushrooming of obituaries. Garlands of yellow butterflies are draped from trees and buildings; outside Mexico City’s Palacio de Bellas Artes ...

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Alison Broinowski reviews Typhoon Kingdom by Matthew Hooton

Alison Broinowski
Thursday, 23 May 2019
In the May 2019 issue of Quadrant, its literary editor, Barry Spurr, inveighed against the ‘inane expansion of creative writing courses’. Professor Spurr’s scholarly accomplishments in the study of poetry and Australian fiction do not include creative writing. (His resignation from the University of Sydney was accepted in December 2014 ... ... (read more)

Alison Whittaker’s début collection, Lemons in the Chicken Wire (2015), introduced a genuinely new voice to Australian poetry: that of a Gomeroi woman, a Fulbright scholar, and a poet who can bend and blend forms with the best of them. Her second collection of poems, Blakwork, places her firmly in both the ... 

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Francesca Sasnaitis reviews Lucida Intervalla by John Kinsella

Francesca Sasnaitis
Thursday, 17 January 2019

According to the online resource Climate Action Tracker, Australia’s emissions from fossil fuels and industry continue to rise and are heading for an increase of nine per cent above 2005 levels by 2030, rather than the fifteen to seventeen per cent decrease in ...

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2018 Publisher Picks

Nathan Hollier et al.
Tuesday, 18 December 2018

To complement our ‘Books of the Year’ feature, which appeared in the December 2018 issue, we invited some senior publishers to nominate their favourite books of 2018 – all published by other companies.

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Bernard Cohen reviews 'horse' by Ania Walwicz

Bernard Cohen
Tuesday, 18 December 2018

Virtuosic performance text, palimpsest of a nineteenth-century Russian folktale, and a merciless and often very funny sectioning of the self, Ania Walwicz’s horse enacts what it names: ‘Polyphony as identity’. The narrative more or less follows the story of The Little Humpbacked Horse by Piotr Jerszow ...

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