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Tim McMinn

Saving Time is inspired by the burnout many of us feel after years of lockdowns and working from home. She writes about her own experience of these years, the anxiety and loneliness, contemplating moss. This frame dominates Saving Time’s billing. As a parent of two boys living and working in a city distant from family, it’s what drew me to the book. This theme of embracing slowness is addressed in each chapter, each of which is interwoven with minutely observed vignettes from an unhurried journey through Oakland’s hinterland.

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Armando Iannucci, creator of the darkly comic series Veep and The Thick of It, is surely one of our more perceptive contemporary political observers. While making us laugh or grimace with recognition at the manoeuvrings of his characters, he can also pull us up cold. For example, Iannucci spends most of The Death of Stalin mocking the posturing of the politburo following the tyrant’s death in 1953. Then, suddenly, disturbingly, the merry-go-round judders to a halt and Beria is ambushed, tried, and executed in a courtyard. It echoes the mockery of the shirtless and mounted Vladimir Putin – before he invaded Ukraine 

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‘It’s a media beat-up,’ our Brooklyn Airbnb host assured me as we chatted on the doorstep one sparkling autumn afternoon in early November 2016. ‘They need to make it seem like a contest or there’ll be no story.’ It would have been rude for me, as an outsider, to demur. I bumped into him once more, ashen-faced the following morning, after Pennsylvania had finally swung to Donald J. Trump, delivering him the presidency. Our conversation was brief; his sense of disorientation palpable.

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