The twelve-month period which began in February 1982 saw an unprecedented growth of interest in Aboriginal drama in English, both within Australia and overseas. In that month, Jack Davis’s second play, The Dreamers, made its début in the annual Festival of Perth and was generally well received by the critics. Five months later, Robert Merritt’s 1975 play The Cake Man was revived briefly in Sydney, in preparation for its two-week season as an Australian representative at the World Theatre Festival in Denver, Colorado. So popular was it that tickets for the entire season were sold out in advance of the first performance, thereby breaking all box-office records for the festival.

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What is the musical’s appeal? Performing arts venues in Australia’s capital cities stage them year after year; a lucrative box office seems to be virtually guaranteed. The feel-good mix of song, melodrama, and vibrant dance – not forgetting the bonus of a happy ending – can lift the spirits and entertain the entire family. Recently, Chicago (Melbourne, Brisbane), West Side Story, and Billy Elliot (Adelaide) secured packed houses.

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Nowadays every second young person seems to want to be a stand-up comic, an occupation that perfectly represents the ‘gig’ economy in its precariousness and occasional nature. Anne Pender gives us mini-biographies of seven Australians who succeeded, often spectacularly, in the risky business of being a comic long ...

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People who were university students at a particular time often like to regard those years as exceptional, a perspective which, embellished by nostalgia, memoirs, and media hype, can take on mythic proportions. A case in point is the concurrence of people and talent that led to a high point in student theatre ...

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When Alison Croggon’s theatre review blog Theatre Notes closed in late 2012 after eight years in existence, its demise was met with a response akin to grief. The first blog of its kind in Australia, and one of the most enduring anywhere, TN became essential reading for anyone interested in Australian performance ...

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What exactly is a National Theatre for? What is its purpose? What form should it take? National theatres come in many configurations. There is the four-hundred-year-old Comédie-Française serenely presiding over French culture from the Salle Richelieu. The Habima Theatre of Israel ...

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Most of the time, plays are just entertainments; they can be witty and insightful, even powerful and contemporary, and still function as merely satisfying divertissements. Rarely, so rarely entire decades can pass without one, a play functions in an entirely different capacity ... ... (read more)

One of the most appropriate titles since Pride and Prejudice, Balancing Acts adroitly captures the drama and appeal of Nicholas Hytner’s account of his twelve years as director of London’s National Theatre. There have been several different takes on this often-controversial site of some of the world’s most riveting theatrical fare ...

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Tim Byrne reviews 'Joy Ride' by John Lahr

Tim Byrne
Thursday, 25 February 2016

James Ley states in the introduction to his book The Critic in the Modern World (2014) that the significance of a critic 'depends on their ability to position themselves in opposition to certain prevailing tendencies'. Given the widespread shrinkage of space allot ...

Reading Australia: 'Dimboola' by Jack Hibberd

Judith Rodriguez
Thursday, 24 December 2015

Dimboola's title is a great start to the play that was first performed in 1969. It belongs nowhere but in Australia. At the same time, not many people can claim to have lived there or to know someone from Dimboola. Indigenous? Maybe. And where is Dimboola? You drive through it on your way to somewhere else. It's in Victoria, out where all the roads are sign ...

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