Text Publishing

Patrick McCaughey reviews 'The Donald Friend Diaries' by Ian Britain

Patrick McCaughey
Wednesday, 16 November 2011

For some sixty years Donald Friend kept a diary, making his final entry just days before his death in 1989 at the age of seventy-four. The National Library of Australia published them in four massive volumes between 2001 and 2006. They were intractable. You needed an axe to cut through the stream of consciousness which flowed from an uncensoring pen ...

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Jo Case reviews 'Hand Me Down World' by Lloyd Jones

Jo Case
Tuesday, 15 November 2011

Lloyd Jones’s Booker-shortlisted ‘breakthrough’ novel Mister Pip (2006) began life as a collection of random memories and myths written on a wall...

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Carol Middleton reviews 'Fall Girl' by Toni Jordan

Carol Middleton
Friday, 10 June 2011

After her success with Addition (2008), Toni Jordan is back with a second novel, Fall Girl, an attempt, according to Jordan, to recreate on the page the romantic screen comedies of the 1940s, 1950s, and 1960s...

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Tony Smith reviews 'Blood Moon' by Garry Disher

Tony Smith
Monday, 01 June 2009

It is ‘Schoolies’ Week’, and Waterloo, on the Mornington Peninsula, hosts a crowd of teenagers who, for various reasons, shun more fashionable parties on the Gold Coast. The police try to ensure that the kids practise safe sex and don’t become victims of their own excesses with drugs and alcohol, nor of the ‘toolies’ who scavenge the festival fringes. Liaison officer Constable Pam Murphy, recently transferred to detective duties, has encountered few serious problems but warns her superiors that an impending lunar eclipse could produce ‘the ultimate high’.

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Several books could and doubtless will be written to explore the sociological and psychological puzzles attending Helen Darville’ s remarkable masquerade. Robert Manne has no interest in the motivations of Helen Darville. His concerns are cultural and political, and therefore focus on the fictional character, Helen Demidenko: on her writings and statements, and on the responses of Australian intellectuals to those writings and statements during her brief life from 1992 to late August, 1995.

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The Stranger Inside is billed on its own front cover as ‘an erotic adventure’. The title would be considerably more innocuous if the book didn’t announce itself as erotica, but once it does, the phrase ‘the stranger inside’ suddenly becomes suggestive in the extreme. It’s a good title, partly because grammar renders it fruitfully ambiguous: apart from the obvious implication, it could also mean ‘the inner alien’ (a fragment of psychobabble, as in ‘the inner child’), or perhaps ‘the more peculiar interior’ (as in ‘my inside is stranger than yours’). Whichever way you read it inside the body, inside the book, inside the soul the phrase suggests that eroticism depends on a combination of interiority and mystery.

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