Robyn Archer

A sarcastic little slogan on a wall in Australia’s arts funding organisation in the mid-1990s read ‘Il y a trop d’art’. All right, it was meant in jest, but it seemed to hint broadly at shared bureaucratic resentment of importunate artists, even though they were the Council’s clients and the reason, indeed, for its very existence. Remember the national health hospital in Yes Minister that ran perfectly until it had to take patients?

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Closeted but not isolated, everyone will have a story, so there’s nothing special here. But the common difference is clear. When it’s about Brexit or Trump there, it’s us to them; when it’s bushfires here, it’s them to us. We have been globally entwined for decades, but the economic and political truths are mostly covert. It’s taken Covid-19 to put us all overtly at the same risk at the same time.

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During the Covid-19 crisis, many of us are surfeiting on television drama from Netflix, Stan, and the rest of them. Back in 2015, we published James McNamara's Ian Potter Foundation Fellowship essay 'The Golden Age of Television?', which considers the ascendancy of television drama and its cultural significance. Listen to James reading his essay, which appear in ABR's film and television issue in April 2015. 

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Peter Rose – before introducing this week’s ABR Podcast guest – updates readers on ABR’s response to the Covid-19 pandemic and the Australia Council’s inexplicable decision not to fund ABR in 2021–24. Then Robyn Archer – renowned performer and ABR Laureate – currently hunkering down in Melbourne, reflects on how people are surviving and what Australia might look like when it emerges from this crisis.

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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites. 

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It was during the still relatively tentative explorations I was making into the world of international arts festival direction that I swallowed hard and made my first visit to Glyndebourne. I had lived in London throughout the 1980s, had performed there many times in various venues from the National to the Drill Hall to Wyndham’s in the West End ... ... (read more)

For the uninitiated, a maquette is an architectural miniature of a monument or building. Small, made from cardboard or wood, and often able to be flat-packed, travellers have long collected them as souvenirs of adventures to faraway places. Robyn Archer, doyenne of Australian cabaret ...

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