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Muriel Spark

I don’t remember how old I was when I first saw the film version of . As a young girl growing up in north-east Scotland, I didn’t know that it had been adapted from a 1961 novel of the same name by a writer known for her keen observational skills and biting wit called Muriel Spark, or that the story had first appeared, almost ...

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News from the Editors Desk

Reviewing is normally a pleasurable activity, but it’s not often so absurdly enjoyable as listening to the three CDs at issue here. These are a treasure house of British writers whose lives span 150 years. Authors from Arthur Conan Doyle to Muriel Spark, to name the first and last interviewees (1930 and 1989), can be heard talking about the art and craft of their profession. Perhaps because we now live in such a celebrity-conscious age, I kept marvelling to myself: that’s G.K. Chesterton’s or Graham Greene’s actual voice I’m hearing.

Noël Coward is caught for a few questions on the run at Heathrow; Virginia Woolf reads from a prepared script. The approach for most of the rest lies somewhere in between, as the big names are encouraged by interviewers of varying degrees of intrusiveness and deference. So Kenneth Tynan fields Harold Pinter almost as a mate, the somewhat hectoring Walter Allen addresses C.P. Snow as ‘Charles’, while Frank Kermode calls the author of Lord of the Flies ‘Golding’. Some just introduce their subjects and leave it up to them; others, most notably George MacBeth when interviewing J.G. Ballard, see themselves as co-stars.

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