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Mandy Ord

Bulk Nuts by Mandy Ord & New York City Glow by Rachel Coad

by
December 2023, no. 460

The strength of comic strips, like poetry, can derive from concise language and startling images. With Bulk Nuts, the latest addition to Mandy Ord’s long list of autobiographical comics and graphic novels, the Melbourne cartoonist attains a new level in her work. One of the ways she does this is by cutting back on words and presenting more considered, finished drawings. Through verbal economy and graphic surety, this collection of comic strips directs our flow of reading deftly from word to image and back again. Several stories end with the light gravity of a haiku or the hesitancy of e.e cummings.

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What distinguishes graphic novels (aka ‘big fat comic books’) from other books is how completely the page registers movements of the maker’s hand. Before we begin the business of reading, we look, and what we see is not margin-to-margin Helvetica or Times New Roman: it’s the mark of the makers, be it Alison Bechdel or Kristen Radtke or Mandy Ord. We might even think of the making of comic books as being closer to letter writing than novel writing. Accustoming ourselves to the style of a particular graphic novelist (‘Aha! That’s how Bechdel depicts euphoria!’) is a large part of the pleasure of reading comics – the business of aligning one’s own visual point of view with the maker’s. Perhaps this is why autobiographical works have been such a vital force behind the rebirth of comic books as ‘graphic novels’.

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It’s a simple proposition: short graphic stories about city life, and one narrator – Mandy Ord – drawn with a single bulging eye. But the slice-of-life stories in Sensitive Creatures are rarely straightforward. Sweeping and brittle, kinetic and lush, this is a consistently surprising volume, at once an autobiography, a collection of vignettes, and a comprehensive catalogue of an artist’s career.

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