Australian classical music. Not quite an oxymoron, but certainly an unfamiliar phrase. Yet Australian literature has been promoted by a battery of university courses overseas, following the beachhead established by Patrick White’s Nobel Prize. Similarly, Australian art has twice had great moments of impact: the Whitechapel exhibition of 1961 for the Nolan–Boyd generation, and now the continuing worldwide interest in Aboriginal art. Our rock stars have repeatedly made worldwide reputations; in classical music, Australian singers have regularly risen to the top. But classical composition has been something else. Apart from the quirky Percy Grainger – deftly working in small forms, sometimes with large resources – no Australian composer has had a significant influence overseas (though Brett Dean is shaping up as a contender). Grainger had to abandon Australia to do so, eventually taking out American citizenship.... (read more)
In the 1970s, before Malcolm Fraser (ahead of his time) tightened security and made most of the place a no-go zone, Australia House – a regular embassy – also functioned as an informal social amenity for visiting Australians. There was a howling disjunction between ...... (read more)
In Youth, the South African novelist J.M. Coetzee (who has recently taken to the Adelaide Hills) continues the project he began with Boyhood: Scenes from provincial life (1997). We are told by the publishers that this is a novel; indeed, the use of the third person throughout makes this plausible ...... (read more)
The name of Julia Sorell – the granddaughter of an early governor – never quite died in Tasmania. A faint memory survived of a high-spirited young woman who was the belle of Hobart, a woman who broke hearts and engagements, including one with the current governor’s son. (It was also rumoured – with political intent – that she seduced his father, Sir John Eardley-Wilmot.) An element of scandal arose all the more readily because her own mother had deserted her father for a military man, and had run off with him when he returned to his regiment in India.
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When I went to live in London in 1970, the dissolution of the British Empire had yet to reach its final stages. (While Fiji became independent that year, Hong Kong would not be transferred to China till 1997). The Commonwealth seemed like a glorious roseate hue ...... (read more)
‘I invented a character called Barry Humphries,’ the program promised. Beyond his characters, he said, the real man had always lurked behind a mask in various interviews. ‘Tonight you’ll see me.’ And there he was, in mauve jacket and polka dot tie, his features sharp, the voice crisper than ever ...... (read more)
When some years ago I read Jim Davidson’s outstanding biography, Lyrebird Rising (1994), I was initially concerned by what seemed to be his potentially distorting fascination with the scene-stealing Louise Hanson-Dyer. But I soon discovered I needn’t have worried. Jim Davidson is not the sort of biographer whose obsession with his subject overcomes prop ...