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Documentary

Nemesis 

Australian Broadcasting Corporation
by
15 February 2024
Each episode of Nemesis, the ABC’s morbidly fascinating three-part retrospective series on the Abbott-Turnbull-Morrison governments of 2013-22, begins with a word association game. The ensemble of parliamentarians and former ministers is asked to describe the three featured prime ministers in a single word. Tony Abbott is called, among other things, ‘strong’, ‘negative’, ‘clever’, ‘dishonest’, ‘aggressive’, and ‘disciplined’, and, in the words of former deputy prime minister Barnaby Joyce, ‘pugilistic and [someone who is] also willing to] give you a hug’. ... (read more)

John Farnham: Finding the voice 

Beyond Oz
by
05 June 2023

John Farnham nearly missed the launch party for his most successful album, Whispering Jack (1986) – he was stuck on a couch in a foetal position. He was under immense pressure. His three-year stint as lead singer of Little River Band (LRB) had left him saddled with some of LRB existing debt. Whispering Jack was clearly his last chance to show the world the kind of artist he thought he could be.

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All the Beauty and the Bloodshed 

Madman Entertainment
by
14 February 2023
In February 2019, artist Nan Goldin and the activist group she founded staged a ‘die-in’ at the Guggenheim Museum in New York. The group demanded that the Museum refuse further funding from the super-wealthy art-patron Sackler family, whose pharmaceutical arm, Purdue, produced and aggressively marketed the highly addictive prescription painkiller OxyContin. ... (read more)

The Australian Wars 

SBS
by
26 September 2022

At a pivotal moment in the new SBS miniseries The Australian Wars, director and presenter Rachel Perkins takes us to a place she says is ‘etched in the memory of my family. A place called Blackfellas Bones.’ Perkins turns to talk directly to camera: ‘You know, we turn away from things that we don’t want to see. We all do it. And I admit that I actually didn’t really want to make this documentary series because I knew that I’d have to spend years going through the horror of it. But … making this film has led me to this place … a place where many members of my family were killed. But my great grandmother survived to tell the story.’

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Navalny 

by
23 August 2022

In the documentary film Navalny, Christo Grosev, chief investigator with the Bellingcat group of independent journalists, details how he followed the data trail to identify the FSB (Russian secret service) kill team who shadowed Alexei Navalny (leader of the opposition movement) to Siberia in August 2020 and poisoned him with the Soviet-era nerve agent Novichok. The attack left Navalny in a coma, teetering between life and death in a Russian hospital, the doctors apparently complicit in the attempts to cover up the source of his illness.

... (read more)

Playing with Sharks 

Madman Films
by
18 June 2021

Any film about shark conservation faces a dilemma: how to de-sensationalise an animal whose cinematic charisma relies on the combination of thrill and fear. What reels us in as viewers is the excitement of an up-close, full-frontal encounter with a dangerous predator. Film scholar Tom Gunning talks about this as ‘lust for the eyes’, when an image ‘rushes forward to meet the viewer’, provoking ‘a complicated sort of excitement bordering on terror’.

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My Name is Gulpilil 

ABCDFilm
by
07 June 2021

In 1955, Charles Chauvel’s Jedda – the first colour feature film made in Australia – was released. At the January première in Darwin, the two Aboriginal cast members, Rosalie Kunoth-Monks and Robert Tudawali, were the only ones permitted to sit with the white people. (Later that year it was released in the United Kingdom as Jedda the Uncivilized.)

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My Octopus Teacher

Netflix
by
17 February 2021

In the hands of an occupational hygienist, the combination of light and a fluid medium is a scientific tool to demonstrate the flow of vapours, the way aerosols hang suspended in the air, tiny particles that linger and drift, hovering like miasmas. When the gaseous medium of air is freighted with moisture, light makes air visible, revealing it as dense and saturated. This sudden revelation brings into sharp relief the normally unseen residues that we share with those around us each time we breathe and speak – potentially lethal fluid vectors of contamination. However, if we step back from the anxiety this revelation might induce, we can see this demonstration as a key to understanding how an encounter between linear streams of light and meandering fractals of a fluid medium is at the core of some of the most exquisite and enlivening aesthetic experiences in contemporary culture.

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The Social Dilemma 

Netflix
by
21 September 2020

If you watch one film about technology this year, make it this one. The Social Dilemma (Netflix) features almost every tech insider turned outsider. There’s Tristan Harris, Google’s former chief design ethicist who famously dissented over the company’s attention/addiction business model. There’s Justin Rosenstein, the inventor of the Facebook ‘like’ button, who now regrets his invention. There’s Guillaume Chaslot, inventor of the YouTube recommendations system, who now regrets his invention. There’s Jaron Lanier, founder of virtual reality, who now wants people to delete their social media accounts. There’s Shoshana Zuboff, author of last year’s The Age of Surveillance Capitalism, who blew the lid on the whole game. And that’s just in the first few minutes.

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Feature-length documentary film has seldom been as commercially successful as fictional drama at the box office. Nevertheless, Nick Fraser tells us that it is now ‘common to hear documentary film described as the new rock ‘n’ roll’. It is exactly this energy, influence, and popular appeal of documentary that Fraser wants to tap into with this book. He seeks to further enliven the documentary aficionado’s appreciation of the genre and to expand their knowledge of titles and filmmakers.

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