Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

David Jack

Lockdown by Chip Le Grand

by
October 2022, no. 447

For many of us, the long Melbourne lockdowns of 2020 and 2021 were emotionally ambiguous affairs. Feelings ranged from anger over the deprival of basic freedoms and hope and despair over daily case numbers, to relief at being forced to stay at home, Zoom into work in our pyjamas and dispense with the daily commute. Some of us discovered our neighbourhoods for the first time or new interest we could cultivate, such as baking sourdough bread or gardening. That said, we probably don’t want to revisit the experience anytime soon. But we should, argues Chip Le Grand in his new book, because while Melbourne’s ‘status as the world’s most locked-down city should be cause for neither pride nor shame’, it should not be forgotten. Beginning with a vivid account of the ‘unlawful’ lockdown of housing commission towers in Melbourne’s inner north, Le Grand asks: ‘How did a city like Melbourne arrive at a place where we would strip people of all agency, and finally, their dignity, in the name of public health?’ This book is an account of how this happened.

... (read more)

Freud once argued that the pleasure of shit is the first thing we learn to renounce on the way to becoming civilised. For Freud, the true universalising substance was soap; for Annabel L. Kim it is shit; and French literature is ‘full of shit’, both literally and figuratively, from Rabelais’s ‘excremental masterpieces’ Pantagruel and Gargantua and the Marquis de Sade’s The 120 Days of Sodom through the latent faecality of the nineteenth-century realists to the canonical writers of French modernity.

... (read more)

Interventions 2020 by Michel Houellebecq, translated by Andrew Brown

by
July 2022, no. 444

Michel Houellebecq has never been one to hide his light under a bushel. Since the publication of his second and best-known novel, Atomised, in 1998 (the same year some of the pieces included in Interventions 2020 were originally published in French), Houellebecq has established himself as the enfant terrible of French letters, primarily through his provocative and at times incendiary remarks. Indeed, there is a certain expectation that Houellebecq will live up to his reputation, something he notes in his reflections on paedophilia: ‘Through the wording of your questions, I feel I am subtly being asked to say something politically incorrect.’ Rarely does he disappoint.

... (read more)

The Inseparables by Simone de Beauvoir, translated by Lauren Elkin

by
December 2021, no. 438

‘I loathe romans à clef as much as I loathe fictionalised biographies,’ wrote Simone de Beauvoir (1908–76). For this reason, the novel and the memoir were her preferred genres, even though the boundaries between the two were frequently blurred, a distinction that Beauvoir insisted must be maintained: fiction has ‘only very dubious connections with truth’. While Beauvoir was adamant that her fictional women protagonists are ‘not her’ in any recognisable sense, she conceded that characters may resemble living models. The most famous example is Lewis in The Mandarins (1954), loosely based on Nelson Algren, the American writer and Beauvoir’s lover for some twenty years. It may be loose, but the resemblance was enough for Algren to take his revenge by panning subsequent American editions of Beauvoir’s work. Even memoir has a very particular relationship to reality for Beauvoir. The writer of the memoir is not the same as the subject: the future, she notes in Memoirs of a Dutiful Daughter (1958), ‘would turn me into another being, someone who would still be, and yet no longer seem, myself’.

... (read more)

Italian political philosopher Giorgio Agamben’s diagnosis of the condition of ‘bare life’ has assumed a new significance during the coronavirus outbreak. A new book, Where Are We Now? The epidemic as politics, collects some of Agamben’s most thought-provoking commentary on the politics of state responses to Covid-19. In today’s episode, David Jack reads his October article ‘Bare life and health terror’, in which he applies some of Agamben’s key insights to Australia, arguing that the philosopher’s willingness to speak up for the preservation of the foundations of civic life offers a tonic to the atmosphere of alarmism and the new medically endorsed state of exception.

... (read more)

In the allegory of the cave, Plato hypothesised the birth of the philosopher as one who emerged from the darkness of illusion into the light of truth. In the dark days of the Covid-19 pandemic, philosophers are finding a platform, mostly in the press, indicative perhaps that we need an interpretation of what is happening around us beyond that offered by the media and daily conferences. As with Plato’s philosopher, what they have brought back is not necessarily what we wanted to hear, and some have been threatened with pariah-like status for views that sometimes run counter to the prescribed consensus. This was certainly the case with Italian political philosopher Giorgio Agamben.

... (read more)

Serotonin by Michel Houellebecq, translated by Shaun Whiteside

by
December 2019, no. 417

Serotonin is Michel Houellebecq’s eighth novel and appears four years after the scandalous and critically successful Submission (2015), a dystopian novel that depicts France under sharia law. In Serotonin, we are again presented with the standard Houellebecquian narrator: white, middle-aged, and middle class, seemingly in the throes of some mid-life crisis of a predominantly – but not exclusively – sexual nature.

... (read more)