Australian Poetry

There is a shimmering, ludic intelligence to this collection of poems, Philip Mead’s first since 1984. The word ‘comeback’ is apt, with its grace note of gladness for renewed possibilities. Opening any new work, the anticipation is acute: will I be changed by reading this, and if so, how? What might I think, feel, or recognise ...

Both Adam Aitken’s Archipelago and Elizabeth Allen’s Present examine the establishment and mutability of identity in the worlds of objects, histories, literature, and media in which they place their speakers. Of course, the exploration of identity is a common theme of poetry, particularly as it pertains to how the material of language ...

The classic lyric preoccupation with interiority, and how internal life touches and changes the outside world, finds expression in two recent collections of poetry: Fiona Wright’s ...

Judith Bishop’s Interval appears just over a decade since the publication of her first book, also using a one-word title, Event (Salt, 2007). This gap seems far too long. Certainly, there have been two chapbooks in the intervening years – Alice Missing in Wonderland and Other Poems (2008), in the Wagtail series ...

Poets aren’t generally known for being great collaborators. Wordsworth and Coleridge’s 'Lyrical Ballads' (1798) is a rare example of a co-authored canonical work of poetry. 'Renga: 100 poems', by John Kinsella and Paul Kane, has some similarities to 'Lyrical Ballads'. Like those of its ...

The poetic epigraphs that introduce all three sections in Brink, Jill Jones’s tenth full-length poetry collection, are collaged fragments from the poems proper. Moodily, they skirt the edges of what’s to come: ‘I am to proliferate.’ The poems then, in all their multiplicity, evoke and explore being on the brink – of knowing, feeling ...