A young Aboriginal girl wears an abaya because she wants to see how it feels to inhabit someone else’s experience, someone else’s history. An exiled Iraqi musician plays a piano in a shopping centre in suburban Melbourne. Native Americans protesting the construction of a pipeline on their traditional lands are shot at with water cannons and rubber bullets. Count ...
What does it mean to live in a place but never to fully belong to it? How does our capacity for intimacy alter when we are in exile? How do we forge an identity among haphazard collisions of cultures and histories? These are the questions that Melanie Cheng ...... (read more)
In the first few pages of Cedar Valley, a group of women gather together to console one another after a calamitous event shatters the predictable languor of their small rural town. Pulling chairs into a circle, they pour glasses of brandy in the soft light of early evening and reflect on the day’s events ...... (read more)
Half a century ago, the Palestinian writer Edward Said described the state of exile as ‘the unhealable rift forced between a human being and a native place, between the self and its true home’. Its essential sadness, he believed, was not surmountable. The crippling sorrows of exile and estrangement ...... (read more)
What are the limits of maternal love? How do children fare in its absence? Is mothering a socialised behaviour or a biological impulse? These are the questions Alice Nelson pursues in her second novel, The Children’s House, which draws its title from the name given to the separate quarters ...... (read more)