The geography of art post 1945 has a boringly settled look and needs disturbing. This engaging and readable book makes a useful starting point. The standard view begins with the switch of the centre from Paris to New York, and so it remained for the next fifty years or so until the shoals of post-minimalism washed up on the stony beach of postmodernism.
Patrick McCaughey reviews 'Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters' by Martin Gayford
Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters
by Martin Gayford
Thames & Hudson, $50 hb, 340 pp, 9780500239773
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Patrick McCaughey is former Director of the National Gallery of Victoria, the Wadsworth Atheneum in Hartford Connecticut, and the Yale Center for British Art. His most recent book is Strange Country: Why Australian Painting Matters (2014). His other works include Voyage and Landfall: The Art of Jan Senbergs (2006). He also edited Bert & Ned: The Correspondence of Albert Tucker and Sidney Nolan (2006). He writes regularly for the Times Literary Supplement and Australian Book Review. He lives and works on the banks of the Quinnipiac River in New Haven.
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