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ABR Arts

Theatre

Gaslight 

Rodney Rigby for Newtheatricals in association with Queensland Theatre

Book of the Week

Ghosts of Paradise
Poetry

Ghosts of Paradise by Stephen Edgar

With a title like Ghosts of Paradise, it is no surprise that Stephen Edgar’s latest poetry collection is haunted by loss, mutability, and mortality – the great traditional themes of elegiac poetry. But Edgar’s poetry has long, if not always, been characteristically elegiac. In this new collection, Edgar’s first since winning the Prime Minister’s Award for poetry in 2021 (and his first for Pitt Street Poetry), the poems are haunted by the poet’s late parents, late fellow poets (especially W.B. Yeats, but also the Australian poet Robert Adamson, for whom there is an elegy), and ancient poetic forms, such as the sonnet. The collection also includes meditations on ageing, corpses, and photographs (including Roland Barthes’ ‘theory / That every photo is a memento mori’). An interest in the intertwining of memory, embodiment, and visual representation is powerfully realised in ‘Still Life’, in which the memory of a trip to Broken Hill is

Interview

Interview

Interview

From the Archive

April 2012, no. 340

Fishing the River of Time by Tony Taylor

This is the modest memoir of a remarkable man. At the age of eighty, geologist Tony Taylor travels from Sydney to Vancouver Island to meet his eight-year-old grandson Ned and take him fishing on the Cowichan River. Half a lifetime earlier, in 1968, Taylor had spent a formative two years in that wilderness. He is eager now to give his grandson the same education.

From the Archive

December 1997–January 1998, no. 197

Confessions of an S&M Virgin by Linda Jaivin

One hardly knew where to look. There were breasts everywhere. Not dozens of them mind you. Just two. On Mistress Sabine. The left mammary with a disturbing blue vein running over it, seeming to fill half the room on its lonesome. Other bits and pieces of the Mistress bulged alarmingly around the inadequate constraints of her leather fetish outfit, threatening to break free completely as she tied up Linda Jaivin and administered a paddling at the launch of the author’s Confessions of an S&M Virgin.

From the Archive

May 2004, no. 261

Straight Reporting

Between the ages of twelve and seventeen, the name Morrison seemed to be almost everywhere I looked. Scraping and stumbling through Geelong College, I attended assemblies in Morrison Hall, was a member of Morrison House, and daily passed a trophy cabinet in which was exhibited a copy of Morrison of Peking (1967), Cyril Pearl’s biography of George Ernest ‘Chinese’ Morrison (1862–1920), a scion of the founding family in whom its pride was visible.

It would be nice to say that the example of Morrison’s life spurred me to tackle journalism, what he called ‘the noblest of all the professions’, with its emphasis on ‘energy, courage, temperance and truthfulness’. But truth be told, he was at the time a little too exotic to take in – as Peter Thompson and Robert Macklin put it in their new biography, ‘a Scot by breeding, an Australian by birth and experience, British imperialist by choice and a Sinophile by compulsion’. Only later did I find myself bewitched by An Australian in China (1895), the vivid pedestrian’s panorama that Morrison wrote about his foot slog from Shanghai to Rangoon, which became, as it were, his successful job application to The Times.