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Omar Sakr

The first thing readers will notice about Son of Sin is the snake coiled across the front cover, its inky scales contrasting with the hot pink background, at once disquieting and strangely beautiful. This striking image sets the tone for the rest of the novel, which is the prose début for Sydney poet and social commentator Omar Sakr. The text provides a disarmingly frank perspective on sexuality, race, and shame in contemporary Australia.

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Smoke softens the trees, a swift omen scented before seen. / It warps what it brings, from the sun to grief. // I stir on the stoop I rent. All around me wasps shimmy, / Orange alphabet of knives. I call them father and son ...

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